Maestría en estudios artísticos
URI permanente para esta colecciónhttp://hdl.handle.net/11349/2062
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Ítem Enseñanzas de la sabiduría ancestral Mhuysqa: simbiosis con la vida a través del mundo sonoroDíaz Herrera, Andrés Leonardo; Lambuley Alférez, Edgar RicardoThe document "Teachings of Mhuysqa Ancestral Wisdom: Symbiosis with Life through the Sonic World" is a research-creation project that delves into the historical interaction between humans and their natural environment. This study draws on the ancestral knowledge of indigenous peoples, proposing an exploration of how these ancient practices can positively influence our individual and collective consciousness toward the integral preservation of life. By analyzing sound as a channel of communication with the land, the research investigates the potential to listen to and decode nature's messages. This process aims not only to encourage a profound reflection on our role in caring for the planet but also to act as a catalyst for the joint healing of ourselves and Mother Earth, promoting an essential transformation in our relationship with the natural world.Ítem Kasquizueltax Entre Calle, Tintas y GarabatosDuarte García, Jenniffer Paola; García Schlegel, María Teresa; [0000-0002-0744-7011]Kasquizueltax: Between Streets, Ink, and Scribbles is a project developed based on feminist proposals in the arts and the constant experimentation with public spaces as places for encounters with women. Through conversation, scribbling, and graphics in diverse contexts, the project intersects with feminist theories, researchers, and methodologies that foster collaborative encounters for re-existence. This approach challenges us to acknowledge the path paved by women who initiated these spaces and who, like in all disciplines and areas, have fought twice as hard to have their work recognized and valued.Ítem Performar la fantasíaRodriguez Chavarro, Diana Marcela; García Schlegel, María Teresa; García Schlegel María Teresa [0000-0002-0744-7011]"Performing the Fantasy" is a self-recognition creative research project that explores the qualities of the journey as an existential possibility and uses an actress's creative methodologies to reinterpret her own reality. This journey progressively discovers its own destination. The starting point is the sensitive attachments and the darkness that crosses through the actress. These elements guide the path and through the analysis the actress makes of them, she engages in dialogue with others, investigates the experiences that gave rise to those attachments, and uncovers escape routes that allow her to re-exist. In sum, the actress employs her intense gaze on her profession and the theatrical logic to uncover its ultimate destination.Ítem Tango: una experiencia de emancipación. Intersecciones entre Aiesthesis y PolíticaCortés Monroy, Ana María; Diez Marulanda, Jhon AlexanderThe following research aims to find in tango an emancipatory power. For this, we first had to recognize that tango makes possible an extra-ordinary aesthetic experience, which led us to return to the Greek notion of aesthetics (Aisthesis), which we contrast with the modern notion, since during the latter period aesthetics loses its vital dimension, and is reduced to a discipline of knowledge. Decolonial Aiesthesis is the critical perspective that highlights the relationship between power and sensibility that is established with modern aesthetics. Finally, we observe in a particular way how this emancipatory power is activated in tango through four dynamics that occur in it, and that derive from its character of dance of improvisation and contact. These dynamics were observed under the prism of the methodological tool that accompanied this research work, and which is called Interviews danced. This methodological proposal is an invitation to consider hybrid forms of research, which in this case we call corpo-reflexive.Ítem La payasería otros mundos posibles. Experiencias creativas y comunitarias, potenciadas en payasadas colectivas.Ramírez Bravo, Ronald Oswaldo; Cáceres Jaramillo, Juan Fernando; Cáceres Jaramillo, Juan Fernando [0000-0002-9971-1704]This research-creation project allows itself to address "payasería" as a fundamental axis of inquiry and from an autobiographical approach. The moments of artistic, community and neighborhood training in which the author's personal clown training begins are addressed, as well as the facets through which he went through the creation of the theatrical work ABSORTO, a scenic action resulting from this research, which raises the experience of clown creation. The pedagogical processes focused on clown training and the creative processes developed from stage direction are analyzed. Finally, the document closes with the findings of the investigation against “payasería.”Ítem Cartografía y arte colombiano: Una aproximación narrativa a través de obras de algunos artistas colombianosBobadilla Cruz, Daniela Maria; Niño Morales, Santiago; Niño Morales, Santiago [0000-0002-9415-3512]Cartography has been a resource used in Colombian art. Maps are inserted in the author's works and in collective creations as the concept, content, intention and purpose of the artistic work. In this research we worked with the artists Lina Espinosa (1964), Adriana Ramírez (1974), Milena Bonilla (1975) and Luis Hernández Mellizo (1978). These artists have an important artistic career in relation to cartography. From their experiences, interests and ethical positions, their works are constituted from a cartographic perspective individually and collectively. Furthermore, these artists have works of collective creation that are the subject of analysis to understand the participation of communities in the plastic and visual arts. On the other hand, the curatorship is integrated into the investigative process by being a platform for dissemination and connection with the public. Recent curatorial narratives are concerned with the inclusion of audiences in the curatorial concept through exercises of creation, perception and contribution to the discussions that arise in the curated theme. Finally, creation joins the investigative process through the use of the curatorial script as a creative act to propose an imaginative exhibition exercise.Ítem "Entre los sonidos de la naturaleza y los sonidos de la urbe", manifiesto sonoro por los humedales de BogotáPatiño Gutierrez, Andres Leonardo; Gamboa Medina, Alejandro; Gamboa Medina, Alejandro [0000-0002-3395-2636]“Between the Sounds of Nature and the Sounds of the City”, a sound manifesto for the Wetlands of Bogotá, is an artistic research project that seeks to articulate reflection and listening through an audible experience, investigating the relationships between author's experience, the sound environments of wetlands and Sound Ecology. This text contains audio files of soundscapes collected in the field recording and which are the main reason to think about the relationship with the Bogotá Wetlands in an way, away from a contemptuous model of nature.Ítem El cuerpo que desapareceMoreno Lopez, Edgar Ernesto; Eljaiek, HernandoThrough a process of self-exploration and self-awareness, where the pandemic and the increasing use of technology, especially cell phones and social media, have significantly impacted my way of experiencing reality and identity, I seek to reflect on the relationship between the body, technology and virtuality in contemporary society. Exploring how the constant presence of technology has displaced the body and physical presence towards a more virtual experience, where image and appearance become fundamental. The problem of the image is related to the search for identity and validation through followers and reactions on social media, as well as the influence of search algorithms. These dynamics have led to a kind of “homogenization” and a massification of everyday experience that influences the perception of the body and the world for people of different contexts and origins, placing technology as a mediator in human relationships, specifically in the erotic and affective sphere. Virtuality and social media have modified the way we relate to eroticism, the body and love. I seek to reflect on artificial intelligence, post-image, and how the constant presence of mobile devices and virtual applications has modified my perception of reality. Questioning how virtual reality becomes an imaginary space that reflects and reconfigures daily life, while artificial intelligence transforms the production of images and challenges human autonomy in art. Busco refletir sobre a inteligência artificial, a pós-imagem e como a presença constante de dispositivos móveis e aplicativos virtuais modificou minha percepção da realidade, questionando como a realidade virtual torna-se um espaço imaginário que reflete e reconfigura a vida diária, ao mesmo tempo que a inteligência artificial transforma a produção de imagens e desafia a autonomia humana na arte.Ítem La belleza de la muerte y la fealdad de la enfermedadHolguín Godoy, Tircia Carolina; Corredor Vargas, Álvaro Andrés RolandoThis research-creation project brings together my work and investigations into two diseases, leprosy and tuberculosis, which are genetically similar, but with different manifestations and therefore different management within the social stigma. Likewise, it is an approach to the ways in which they have been visually represented throughout history, the clinical management and policies associated with their control, as well as the stigma and the imaginaries that surround them. To this end, the presentation of the findings around this topic and the derivative works that I have created during the last 8 years on this path are articulated with the selected images that are inserted throughout the document and that represent a visual journey that invites the reader to understand the ways in which leprosy and tuberculosis have been present throughout the history of humanity. These representations show us how diseases have been treated socially, politically and culturally, taking into account that medical and social practices related to these ailments have had different modes of expression through drawing, painting and other artistic and cultural manifestations throughout history. Taking into account the concept of stigma in illness as a tool and starting point, in a search motivated by achieving the interweaving of different relationships and perspectives, whether from the patient and their ways of seeing the world, from the family, society, caregivers or treating physicians (medical procedures) and how these feelings are transmitted from different professions and disciplines, we have that stigma serves as a starting point to talk about biopolitics as a form of social control from health, where the unwanted are confined or excluded in order to hide the ugliness and the evils of society and avoid panic towards what cannot be controlled, which is also linked to the concept of public health. In my artistic process, my main interest has been the anatomical aspect from a three-dimensional perspective, but due to personal circumstances, I chose the craft of embroidery as a form of drawing to talk about the body, skin, and illness.Ítem Entretejidos de una ruana en colectivo: ensamble creativo con narrativas campesinas del altiplano cundiboyacenseForigua Salamanca, Lady Yohana; Hernández Rodríguez, Álvaro Iván; Hernández Rodríguez Álvaro Iván [0000-0002-4824-355X]Intertwined for a collective ruana (Original: Entretejidos para una ruana en colectivo) is an inter-university investigation-creation process developed by students from the master of Artistic Studies in the Faculty of Arts (ASAB) at UDFJC and master of Education from Universidad Antonio Nariño.This thesis arises from the collaborative effort of the theater groups of the two aforementioned universities, using their own creative processes to serve as cases to systemize practices, notions and ideas involved in working, creating and thinking as a collective group. In order to achieve this goal, a series of meetings were held with ruana weavers from the Altiplano Cundiboyacense region of Cucunubá in Colombia, where the weavers preserve the tradition of weaving Cundiboyacense ruanas. Nohelia Rojas, a friend of the theater group and whose family have practiced the tradition of Cundiboyacense ruana weaving for many generations, helped the researchers create a performative ethnographic study by introducing them to the ruana weaving tradition and the sentimental, aesthetic and esthesic territory of Cucunubá. The practice of ruana weaving involves a co-creative process amongst the community members, which, in turn, has stimulated the collective creative processes of the theater group Convitelarte. As a result of this investigation, new creative processes have been developed, which allow for interdisciplinary productions within the framework of sociocultural representation studies. The main focus throughout the thesis is the idea of a collective intertwining as the basis for collaborative creation in the group and concludes with the production of an experimental documentary that unites the collective practice with the sociocultural context of the ruana, as well as with the participants’ motivation and sensitivity. Intertwined for collective ruana aims to devise a unique method for collaborative work based on the various steps of weaving a ruana and, consequently, utilize said method for enhancing the creative process.Ítem Prácticas de representación de lo exótico en “Aguirre, la ira de Dios” (1972): un análisis crítico a la mirada de Werner HerzogMartín Quintero, Carlos Eduardo; Romero Rey, SandroThis research deals with the theme of the practices of representation of the exotic in the film Aguirre, la ira de Dios (1972) by film director Werner Herzog, based on a critical analysis. The main characteristics of the research are based on the study of the notions of “representation”, “other”, “exotic” and “gaze”. These were the basis for the development of a theoretical apparatus. To examine this theme, a study of cinematographic analysis of the film was carried out, starting from its internal narrative, revealing its representational structures. For this, it was necessary to identify the reflective fields of Cultural Studies, Visual Studies and Artistic Studies through theoretical, practical and creative references of the project from the categories “representation”, “other”, “exotic” and “gaze” and subcategories such as the place of enunciation, cinema of conquest, stereotype, exotic landscape and colonial violence. The research was carried out with the interest of interpreting director W. Herzog's gaze as a system of references, representations and discourses that allowed the film to originate. There was an academic interest in deepening the proposed categories and highlighting the need to analyze other frames of reference, starting from the colonial heritages. Likewise, the research arose from a personal interest in making a film study of director W. Herzog and one of his most representative works, Aguirre, la ira de Dios (1972). The thesis is structured as follows: chapter one presents categories such as “place of enunciation”, “cinema of conquest” and “problem fields”. In the second chapter, a theoretical analysis of the proposed categories was carried out. And finally, in the third chapter we studied Herzog’s view of the film Aguirre, la ira de Dios (1972); starting from, categories such as the representation of the “Other”, the landscape of the “exotic” and the character of Aguirre.Ítem Gracias a eso, yo soy asíCastillo González, Luisa Fernanda; Castillo Ballen, Sonia; Castillo Ballen, Sonia [0000-0001-7044-1889]The present work addresses the experiences of violence in childhood of members of the Creative Movement theater group, through research-creation, based on dialogic, corporal exercises and collective scenic creation. The objective is to identify the gestural, verbal and emotional marks linked to these situations, to critically reflect on the parenting models that originated them. The population is made up of six adults with histories of early family violence. Through presentation and confidence dynamics, body expression exercises, improvisations and dramatic compositions, these encapsulated painful experiences are explored. The participants acknowledge having experienced various forms of abuse, abandonment and emotional lack. By putting them into words and theatrical actions, traumatic emotions emerge that are worked out collectively. They also notice violent behaviors that they replicated as parents or educators. This activates an ethical reflection on the responsibility of not perpetuating harm. The shared creative process around traumatic memories of one's own upbringing allows for mourning, interrupting the transgenerational reproduction of violence, and rehearsing new empathic and non-violent bonds. It is concluded that theater makes it possible to redefine the past, connect with encapsulated emotions and activate creative resources that promote more respectful and caring family imaginaries.Ítem Decimario y undecimario: la corp∞ralidad una construcción entre simbiontes y matachinesLeal Hernández, Lacides Alexander; López Molina, Dora Inés; López Molina Dora Inés [0000-0002-2967-1487]The corporality -now mutated in Corp∞ralidad- is a conceptual proposal created from reflective places on the infinite recreations and innumerable possibilities built and consolidated as materialities, from the corporeal actions of movement and sound through the "Ritualities and Rituals", between the “human” bodies, now, called symbionts and the cuerp∞bjetos, matachines. The symbiote, as a concept proposed towards a new notion of ontological reconstruction to the idea of "humanity", as human-symbionts, a posthumanist vision of sapiens, of their transrelations and interactions as reprogramming in their symbiotic actions in this interstellar ship, presenting to this species as one more in a symbiotic tissue among a series of multiple living and non-living agents (cuerp∞bjetos). Finally, the interactions between symbionts and matachines, the latter called cuerp∞bjetos, pose eternal symbioses, with their unique technologies, that is, cuerp∞bjetos that are related to multiple organisms or technological objects, which propose rituals based on actions corporeal and that generate and reconstruct the corporalities -tangible and intangible materialities as a result of these symbiosis-, being the central point of this creation-investigation, whose narrative will be composed of the pluriversalities (décimas and undécimas), as a way of enunciating an agency singular: Bodies that relate artifacts that reconstruct symbionts that come together interactive mutations, materialities excite It is interbreeding of symbionts experience like bullion between bushes and objects now they are bodies∞objects denotes cor∞rality.Ítem VDS: Vandalismo sensibleCasas Abril, Camilo; Pinzón Ramírez, MaritzaVDS: Sensitive Vandalism, is an investigation in the creation of the line of Artistic Writings and Transdiscursive Enjoyments of the Master's Degree in Artistic Studies, whose nuclei of deepening: body, collectivity and art, are assumed in a multidetermined way for the achievement of a narrative experience that is committed to allowing a dialogue and listening to the different voices that are affected around the imaginaries that are held about VANDALISM, concept understood as a historical event of political interference, which is linked to cultural and artistic practices of media treatment for the press, radio, television, social networks and that, given its relevance as a social problem, concerns various fields of analysis such as legal, sports, scientific, social and artistic, among others, presenting itself as a fact of conjuncture and local context. in dialogue with conflicts and global repercussions. They are assumed as a drift that enjoys consultation and bibliographic, audiovisual and media findings for the study of collective events when they are embodied from a commitment to creative destruction that is part of popular mobilization.Ítem Manifestacion del pensamiento propio en el soplo vital sikuri impacto de la potencia creativa en el agenciamiento artístico comunitario del maestro sikuriValbuena Garzón, Andrés Felipe; Corredor Vargas, Álvaro AndrésThis research-creation develops a theoretical outline of the sensitive power (hope and utopia) and creative power (own thought) of the teacher in his community-artistic educational agency, revealing a dialogue with different authors of Latin American critical thought to delve deeper into the category of own thought and thus, ask about the impact of this power on the process led by the educator. This theoretical approach is interwoven with the autobiographical life narrative of the teacher, betting on a double writing, which achieves in a complementary way, elucidate and understand, the aforementioned impact, in the process carried out in Paraíso-Ciudad Bolívar. In this way, the theoretical and conceptual approach is connected with the biographical-narrative research methodology, this being the route to delve into the voice of the educator as a text that allows one to reflect on their life story, through the creation of instruments for collection, analysis and interpretation of the story, with the aim of understanding in depth how the community-artistic educational agency is impacted and qualified from the creative power of one's own thought, interweaving the personal life of the teacher with his professional life, understanding that as complementary elements, They cannot be separated to achieve a deep interpretation of what has been the educational commitment, which translates as the educator's dream. Finally, the theoretical-conceptual and the methodological, lead to a conclusive exercise, a kind of answers and new questions, which under the category of multi-creation, establish findings about the impact of one's own thinking in the agency process in the territory from three aspects: conceptual theory, didactic and, finally, the work. All these matters, read in the light of the creative powerÍtem Paisajismo común: Intensificación y cuidado de condiciones para la vida en el humedal La VacaEspañol Rairán, Frey Alejandro; Piedrahita, Luisa; Corredor Vargas, AndrésThis work compiles, describes and reflects on the research-creation process through which the notion of common landscaping is proposed, as an agentic, performative and relational notion from which work is carried out in the La Vaca wetland, in the borough of Kennedy in Bogotá. This notion of common landscaping is intended to intensify care practices that are being carried out in the wetland.Ítem En retrospectiva me encuentro mujerPulido Farias, Naydú Yiseth; Cáceres Jaramillo, Juan Fernando; 0000-0002-9971-1704This research-creation project reflectively argues my experience as a woman who taught dance classes in a context of deprivation of male freedom. A work experience that, through questioning, harmony and socialization, has placed me in reflection on and from the practices of the gaze. To whom, why and for what purpose are questions that emerge in this section that are based on understanding how the social representations of women influenced the development of the Dance Interest Center in the male context of the Criminal Responsibility System for Adolescents. This project is assigned to the Line of Research in Critical Studies of Corporeities, Sensitivities and Performativities and has as its methodological statement the autoethnographic drive, with which I seek to give rise to the experience from a writing that is personal and also historical.Ítem Tango sonido inmigrante: Sensibilidades tangueras y recomposiciones bogotanas con bandoneónSalinas Murcia, Freddy Eduardo; Hernández Rodriguéz, Álvaro IvánThis project configures the idea of performance and sound as its own methodological route. Here the immigrant sound is a way of generating acts of feeling-thinking with tango as a performance of sonority that goes through reflection and becomes a creative act. Sonority is the medium through which the very action that organizes the production of a collective tango and tangoing moves. Immigrant Sound Tango is composed of narratives, transits, archival practices, routes, ways of feeling the migrant condition and the lived lives of people from the Las Cruces neighborhood of the city of Bogotá, to from there create conditions to resist from vulnerability, which in Together they produce ways of collective production of a tanguear based on the sound of the experiences of the bodies and their relationality. Thus, more than the imposition of ways of creating or making contributions from the expertise of the one who "directs", what is sought is to generate processes of collaboration and close listening, which guide us to know how the experience of the sound of the city of Bogotá from tango. Sensitive recompositions lead to a performative ethnographic practice from which the sound of tango takes shape and becomes an act of writing. The thesis is structured as a performance and is a form for the intense registration and extension of the performance “The Last Tango in Las Cruces” which is the heart of this work.Ítem Zumbido al OídoJakson Ramírez, Pedro Xavier; León Bohórquez, Diana Lucía; León Bohórquez, Diana Lucía [0000-0002-7338-424X]This document is the record that results from a practical research work - creation. Research based on sound inquiry through the relationship and experimentation with percussion instruments, actors-dancers, visual elements, urban displacements called "Listening Itineraries", and actions called "Percu-actions". Through the methodological route, inputs were gathered for the creation of equally improvised works whose process, through emotions and sensations, helped to strengthen significant connections between the participants, the elements used and the environment. The text consists of four chapters. The first narrates the background that gave rise to the vocation of improviser of the author, the process of discovery and training as a musician, the need to free oneself from the limits set by academia and the methodological proposal for the development of an inquiry process: instruments, surfaces, motivations, the result of interactions. In the second the process of creating sound ecosystems that allow improvisation to enter the scene through specific material elements and their relationship with the participants creating connections and lasting relationships. The third chapter immerses us in the dynamic process of collecting inputs through the activity called "Listening Itineraries". The fourth chapter also describes the process of improvisations and experimentations of collecting inputs called "Percu-actions". The tour concludes with the creation of the work of sound improvisation, its description, analysis and presentation to an audience as a result of this research-creation process.Ítem La niña que todo lo rayabaPachón Ordoñez, Johanna Paola; García Schlegel, María Teresa; García Schlegel María Teresa [0000-0002-0744-7011]This research-creation project developed in the Research Line Critical Studies of Corporeities, Sensibilities and Performativities of the Master in Artistic Studies, is not only a reflection of what I have been and am as a depressive woman artist but also a journey through authors such as Katya Mandoki (2008), Tim Ingold (2013), Baruch Spinoza (1980), among others; with whom it has been possible to walk a path where the help of methodological tools such as genealogy (Audell, 2003) and autoethnography (Blanco, 2014) have allowed me to unveil the relationships of affection that I have established with the materials (Ingold, 2013), the materialities (G. Landa & C. Ciarlo,2020) present in the artistic practices that accompany me in the search for a new existential condition from which coexists not only my artistic work but also the diagnoses of mental illness with which I am defined under the health system