Maestría en estudios artísticos
URI permanente para esta colecciónhttp://hdl.handle.net/11349/2062
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Ítem En las fronteras de la masculinidad relato de un cuerpo tiznadoBuitrago Landázuri, Arley; Morales López, PedroThe present work addresses the problematic of masculinity at a theoretical, phenomenological and sensitive level. It takes into account the particular case of masculinity that is built in my black racialized body. The work is based on the assumption that knowledge transforms realities and life experiences. In this sense, science and theory can be autopoietic, since they lead to the recognition and transformation of the researcher's eyes and the eye that reads. A synergy relationship between researcher, research and researched is proposed in a bid to generate alternative stories that respond in reflective and creative ways to the challenges that life in society pose to us today, expanding the boundaries between the limits of categorizations of the objective and the subjective, which have been the support of modern thought and its excesses. Understanding the body as a set of complex relationships, as well as masculinity and racism as experiences that derive from the interests of power and the historical cultural heritage, are part of the looks of this research-creation.Ítem Realidades, palabras y movimiento. Una experiencia creativa y pedagógica a través del tango-abrazoGuacaneme Cardozo, Andrés Mauricio; Morales, PedroThis research project presents the development of the pedagogical and creative experience carried out with children and youth from the Tesoro La Cumbre School in the city of Ciudad Bolívar, linked to the local arts Center for Children and Youth program (CLAN in Spanish) of the District Institute of Arts, in the second semester of 2016. In this educational practice, mediated by the embrace of tango as an element of construction of new knowledge and communication, the experiences of violence in the local territory of the subjects were problematized, as well as the meanings that the notions of body, dance and tango had in them, allowing the emergence of new knowledge that allows the reflection on the dance tango as a language that contributes to the processes of cohesion and reconstruction of the social fabric.Ítem La significación de los zancos en patines como instrumentos de creación escénica: una reflexión desde la semiótica teatral para ´la teorización del teatro de calle colombianoGrande Ladino, Cesar; Bustos, MartaThe idea of this text is affirmed that the skate stilts are elements that allow to develop an interpretation excercise of the «theatrical sign». Thus I had to aclarate that at the moment they are taken as scenic creation instruments they are given an interpretive centrality and signifies that they will lead to the realations that reside within the modification of this artifact, at least in two senses: firstable, the modifications in terms of it ´s structure that generated a new form of displacement and posibilities of use; and secondly, once the new forms of use were established, such modifications implied a modification also in the process of creating the play. That´s why I stablish the context of the creation and centrality of this type of stilts on the street theater plays at the beginning of the 90´s, where the Tchyminigagua group as a result of the sociocultural situation in wich his neighborhood was responding with these modifications of conventional stilts to the emerging social needs that affected them; this basically generated an articulation between the need to respond to these needs and, the ideology of the group, wich wanted to generate a reflective-critical attitude in the viewer. In this sense, I argue that theater semiotics is a tool of theorical approach that can deepen the problem of the meaning of the sign, at the moment when I analyze the stilts on skates as a «theatrical sign». Some of what the reader can find will be the discursive relationship that are within the meaning of the stilts on skates as instruments of «scenic creation»; the relationship that this meaning has with the ideology of the theater group; and the relationship that exists between the theatrical sign and the social context in wich it developsÍtem Las locas de la casa Prácticas estéticas sobre las prosaicas de la exclusión. Mariposas de otras tierras como empresa creativaGarcía García, Manuel Ferenando; García Schlegel, María TeresaCrazy of the house aesthetic Practices on the prosaicism of the exclusion. MOT as a Creative Company, is the research creation project that studies the logic that underpins the Butterflies of Other Land MOT Arts and Humanities Research Group directed by me; inquire to understand how the poetics in our scenic artistic practices become and transform the prosaicism of exclusion. This project is attached to the research line Critical Studies of Corporality’s, Sensibilities and Performativity’s of the Faculty of Arts ASAB. I combine the experience through methodological tools such as documentary archeology, the analysis of the theater play Butterflies from Other Lands, the Conno Tisoy's autoethnographic writing stories that are central to this research, some artistic practices such as the model of the play Butterflies of Other Lands, also the cartographies, the metaphor of the strategy games and finally the visual archive. From there the experiences are described and confronted, the practices that mobilized the daily life of each of the members of MOT, some in situations of disability and others of non-heteronormed sexualities, in the face of practices of mistreatment and vexation of the sensitive dimensions of our lives. This project presents several contributions to the field of Artistic Studies, but two of them stand out; the first The Fifth Wall of the Theater, the analysis of the theatricalization of the normality of our own situations and conditions. The second is the Yosotros as a category in the field of dissolution of the subject, which opens and ends the territories of the unipersonal.Ítem Tras de india, patirrajada. Narrando y trenzando nuestra historia familiar de negación PijaoArcila Prada, Claudia Patricia; Corredor Vargas, Alvaro AndrésThe following text is the result of a research process about how the constant stigma of “indio patirrajado” (a negative colloquial expression to point out people with indigenous features that could be translated as indigenous foot riven.) resulted in the denial of the Pijao indigenous legacy in the Arcila Prada family. The present investigation analyses the modern- colonial project established in the dominance of the written word, the construction of the indigenous people as deformed, cannibals and ungraceful beings and the imposed idea by the catholic church of God as the one and only savior. Aspects that diminished, lessened and therefore exterminated all of the indigenous knowledge. The methodology used to write this thesis was to weave stories, creating a dialogue among autobiographical narratives, intercultural critique, the indigenous research paradigm and the corazonar. In the process of this research a familiar and personal disconnection with the ancestral background was identified by the author, which enabled her to reconnect with what was being denied, through the various stories, dreams, myths, trips, interviews, dialogues, symbols and visions that inform this project. Indigenous, barefoot and foot riven, telling and weaving the denial family history of our Pijao background, shows how the modern-colonial project directly affected the fate of the Pijao people, but also particularly affected families like the one exposed in this thesis, aiming to weave new ways to the resignification of the inherited indigenous legacy.Ítem Dibujando escriboCardona Prieto, María Marcela; Montoya Castillo, MarioThis I write drawing is set in which way builds thought Tomás, from the drawn and written, during the first year of schooling (2013)? Understanding this subject for analysis, as a subject of experience from the perspective of François Dubet, in a constant conversation, looking, seeing, being seen, engaging with the other in a two-way co-implication. In this article I show the concepts that cut across the three foregoing categories: The drawn, the written, the thought and the concept of subject-child from which I positioned myself, starting off the concept of border and interculturality from where I try to look and see to get involved.Ítem Álbum de familia del arte actual en BogotáAvila Morales, Claudia Aracely; Gómez, Pedro PabloThis family album of current art in Bogotá is the result of research, creation and reflection in the field of Artistic Studies. Art, Nation and Family are the study triad on which the problem of legitimacy and the legitimation of its members develops, either officially or empirically within their albums, metaphorical objects in whose lap it is administered practical life and the image of ourselves; We are artists or not.Ítem El Tango como fuente de conocimiento sensible. Entre la sensibilidad y la racionalidad del cuerpoVilla Martínez, Edis Aleida; Morales López, PedroAccording to the field of knowledge of the master of artistic studies, this research project reflects about the tango as a dance as a prosaic symbolic expression which is source of sensitive knowledge; as a different way of knowing reality. The research is divided in four chapters. The first one is the literature review of the concepts of experience, body, sensitive knowledge and relational art. The second chapter is a contextualization of the tango as a dance in Medellín, based on the experience of the author with this practice in different environments. The third chapter describes the methodology as well as the analysis and interpretation of the collected data. The last chapter presents the practical and social importance of this research. The research presents this dance as a source of knowledge that stimulates the unifying sensitive quality of the body, as a mechanism that makes us extremely sensitive to our own realities, and those of the people around us, allowing us to transform them.Ítem Sensibilidades en las dinámicas festivas del Carnaval de negros y blancosVillota Imbacuan, Yarlin Cristina; Morales López, PedroThe present research is about the reflection around manifestations, sensibilities, and chores in Blacks and Whites’ Carnivals. Taking into account as personal as collective experience within the carnival, some worries and thoughts about what this it is and will be have been arisen. Thus, it is intended not only to think and interpret the artistic and cultural manifestations that take place at the carnival (floats, choreographic groups, troupes, dance, etc), but also to look at and feel the imaginary and the ways to see and inhabit the world that such demonstrations have created considering the different actors of the Carnival over time, ie, to aim to the way they reaffirm and rebuilt their identity every year.Ítem El Camino del Zaque: Márgenes de la historia, umbrales de la memoriaAyala Sánchez, Óscar Leonardo; Méndez Bernal, Rafael MauricioThis report gives an account of a research creation that aims to establish a system that links and instigate tensions between territory, memoirs and historical representation in Tunja, Boyacá, Colombia. The approach arises from the need to promote a different view of cultural heritage elements, to review its current relationship with the narratives that define them and, especially, to inquire about the constitution of memory of this city that has pre-Hispanic origin. Methodologically, the process has combined an ethnography of the territory with an ethnography of the archives, through a thought from the arts, that dialectically relates the knowledge of the communities with the documented references; The work with the community appeals to the philosophical anthropology of Rodolfo Kusch and his localized knowledge and feeling, in order to privilege the sense of a memory that clashes with the established story of history. Through a disassembly and assembly, according to the methodological proposal of W. Benjamin, El Camino del Zaque is presented as a synthesis that claims representation of memory manifested in a rooted idea of a cultural heritage.Ítem Dibujo mutacional: Visualidades para des-configurar la producción rigurosa del cuerpo - erótico - deseo - placer- femenino.Pacheco Martínez, Ingri Paola; Martínez, CarlosThis research takes place from the recognition of desires and feminine pleasures for existence, re-existence and resistances in times when female bodies are targets of politics and ethics of death and exclusion. The author proposes in this text is a critical and creative reflection of her life and the lives of women in her family environment about the female desires and pleasures that we live which will be addressed through experiences on the stage of the party. The moments of this thesis are: first, the theoretical decisions which life will be analyzed and the treatment of recurrences from the conceptions of life woman-desire-pleasure that they support, contrast and make possible other forms of existence as a woman; second, the methodological content around the female body as a territory from the cartographic tool, together with the treatment of the component photographic memory, interview and drawing as creation, the third exhibition of the mutational drawing (fanzine) where the interpretation from drawing as a tool that allows women visualize other ways of understanding your body-woman-desire-pleasure.Ítem Develando mi abrazo de tango: inter-sensibilidades centradas en la proxémica conmigo misma y en conexión con los demás.Jiménez Marin, Judith; Eljaiek, HernandoThis project traces the sensitive-exchanges centered on proxemics in the practice of tangoembrace, in the modality of improvisation, from the lived experience of the researcher and the inputs generated by the artistic studies using the methodology of "practice as research", which develops a record through autoethnographic writings, corporrelatos, drawings and conversations, as sensitive materials, with which the researcher discovers key aspects of her experience connected with that of others in the embrace of tango, in order to unveil through drawing some of the mysteries that raise contributions and reflections to her being as a woman in life itself and in tango-dance.Ítem Para decirlo todo sin hablar. El performance y la configuración de la subjetividad en la escuelaMora Palacios, Héctor Rodolfo; Montoya Castillo, MarioFrom a pedagogical experience carried out since 2011 at the Francisco de Paula Santander School, a late afternoon session, in the town of Bosa, whose objective is to promote the formation of political subjectivities in cycle V students, through artistic practices. a research exercise that seeks to understand the way in which the subjectivity of the workshop participants is manifested To Say All Without Speaking, from the practice of performance. To develop this objective, the pedagogical experience is contextualized and the relationship between performance and subjectivity is analyzed in the school context, based on the folds of subjectivation, "body, norm, knowledge and otherness", proposed by Michael Foucault and contextualized by Jairo Gómez Esteban.Ítem Trepando el clóset en Bogotá: contra-historias y escrituras dragZambrano Cruz, Oscar Javier; Peñuela Rodríguez, Jorge EdilbertoDragging the closet in Bogotá: counter-stories and writings drag is the result of a research-creation of two years of work with drag and female impersonators collectivities in the framework of the three editions of the event “The night and the fireflies”, which is organised by the Master in Artistic Studies of the Faculty of Arts ASAB. This academic document is a drag and female impersonators walk that takes distance from the diachronic stories of the fights and resistance of LGBTI communities for their rights. Without ignoring the importance of this History, the concept of counter-stories is proposed with the purpose of finding fissures that reveal omissions or silences not perceived from a drag look. So, with the drag counter-stories I use the concepts of heterotopia and writing to analyze other spaces and, in this way, reveal how drag subjectivities have been constructed in Bogotá from 1980 to 2019. In addition, the way in which they create relationships of affection and solidarity through the formation of drag families as an answer to the discrimination and violence to which they are exposed and which subverts the traditional family model in Colombia.Ítem Entre cemento y adhesivo: sticker y espacio público en BogotáFajardo Leal, Laura Paola; Bustos Gómez, Marta LucíaFrom a multivoiced dialogue with my memory, this research - creation project explores the senses and feelings of the public space in Bogotá from the practice of the urban sticker. To do this, I reconstruct my city narratives from three journeys that collect my experience of living, as well as my transits through childhood, youth and adulthood; three determining stages in my inquiries about the languishing city. I practice to wandering as a methodological possibility that allows me to weave links and actions with a group of cartographic accomplices with whom we immerse ourselves in the depths of individual and collective feelings for the emerging narrative and graphic creation of our being in Bogotá.Ítem Conexión animal: construcción de otras representaciones sociales de animales-extraños a través de experiencias intersensibles.Torres Palacios, Sandra Catalina; Ospina Espitia, Martha EsperanzaThis research-creation project was developed during the Master in Artistic Studies, Faculty of Arts ASAB and is part of the research line, Critical Studies of corporealities, sensitivities and performativities. It presents a description of the experiences I have lived, in my work as a teacher in the area of biological sciences and sensitive experiences derived from artistic and cultural practices. This allows to show some social representations of nature, animals and bats. Its main objective is to explore possible experiential designs inspired by artistic practices, to generate intersensitive experiences in people. This is intended to transform the perceptive and representations that can be developed towards strange animals such as bats and that can unleash violent acts against them. A methodology based on the holistic research approach was proposed to address from different dimensions, complex environmental issues to the relationships of an individual with the other. Through the different epistemological models proposed, the following findings of the process are described: first, it was proposed that the written document of the degree work would be a sensitive expedition in which the reader would go through the different sensitive experiences to invite a transdisciplinary dialogue and a juxtaposition of what was investigated. Secondly, it was analyzed how sensitive experiences develop social representations and these can generate triggering processes of violence towards others. And finally, an intersensitive experience was designed as an articulating axis, in which it is assumed that participants were able to experience an intersensitive process, thus configuring other representations about bats.Ítem Ficcionar la biodiversidad en dinámicas del cocinar y el comerRamírez Castro, Mauricio; Foglia Ortégate, AndrésFictionalizing biodiversity in the dynamics of cooking and eating is a creative research project inscribed within the emerging field of artistic studies. Methodologically, it starts from autoethnography, where through the constant use of the writing tool, I find a way of doing my own for analysis. In this way, I work with the relationships that I have forged throughout my life with non-human species from the urban, experiences crossed by numerous fields. Going through the family nucleus, friendships, education, work, religion, among other aspects. There, in a transversal way, cuisine and ecosystem services are always present, at the time of fictioning. Through this action (fiction) we reveal possible worlds, which challenge us as living beings infinitely related within network systems with millions of species that claim their right to exist. It is in the recognition of these conditions that we can dialogue with thousands of other different ways of living, in the face of conceptions imposed and inherited from the current world system. In this way, I work on the creation of a series of short writings of two types, some I have called stories and others fictions. These writings connect with each other and with my being from the past, present and possible futures, where from my concrete experiences with the non-human, I seek to enter into a dialogue with the reader, in order to recognize ourselves as part of a group where it can be understood. the importance of our ecosystem relationships, especially in contemporary cities.Ítem Pulsión, investigación creación basado en experiencias sensiblesRodríguez Molina, Andrea Carolina; Martínez Medina, Carlos AndrésThis degree thesis presents a creation research carried out through the process of creating a dance staging, this being the central element, since intentions given in relation to some concepts related to artistic creation converge, together with the experience itself of co-creation. This text presents in principle a conceptual journey that lays the foundations of the forms of work and models decision-making within the creative process, based on four creative principles that are described and of which a succinct archeology is carried out, these are : chaos, chance, intersensitivity and improvisation. This conceptual journey is a fabric between my research interests, my creative experience and my life experience, especially in pedagogical and dance settings. On the other hand, a methodological design is carried out that will later be the starting point of the creative process, this is made up of five sensory exploration guides, each focused on a sense (taste, smell, hearing, touch and vision) accompanied by a instructive for the counselor. This material, although designed with simplicity, embodies all the exposed conceptual heritage and also intends to function as a trigger in any disciplinary or creative scenario. Below is a blog that details the process of exploration and creation generated from the methodological proposal designed, in co-creation with the dancers and the lighting technician. Finally, and as a general result of the process, an analysis of the creative process and the staging is presented, focused on its relationship with the methodological proposal made and with the proposed conceptual framework. This is how Pulsion arises, both as a staging and in its face of creation research, based on sensitive experiences.Ítem Más de mil días con Daniel. Narrativa resiliente.González Suárez, Isis Exsury; Morales López, PedroThis paper gives an account of the importance and incidence of narration-reflection for the relationship between the family and medical contexts in which the parents of a child with cerebral palsy move and how to find resilience in the middle of the pain. The relationship of testimonies, memories and words have developed processes of recovery that are not long lasting. However, there are resilient moments that strengthen, ensuring a better quality of life for the child and his parents.Ítem El club de Anita y la etnografía como resistencia al olvidoCamargo Acosta, Ana María; Cáceres Jaramillo, Juan FernandoThe present work of investigation creation seeks to investigate around that piece of city, of neighborhood, of vencidad, entering the land where the house of Anita Parra was installed, which in its interior kept stories of all kinds, but oriented to oblivion , to a greater or lesser degree, of love, adventure, work, routines and pain. The intention of this document is, then, to make known the reality lived in this family and social space called the Club of Anita, revealing and documenting in a written and visual way - through the story and the ethnographic expedition - the experiences that occurred, coming to be configured as a space of collective construction and means of escape and resistance to everyday realities.