Repositorio Institucional
Universidad Distrital - RIUD
El Repositorio Institucional de la Universidad Francisco José de Caldas RIUD es una herramienta donde se depositan los objetos digitales que corresponden a la producción intelectual de la Universidad para proteger, preservar, y difundir.
Colecciones Especiales y Patrimoniales
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Producción Editorial
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Recursos Educativos Abiertos
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Tesis y Disertaciones - Maestría y Doctorado
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Trabajos de Pregrado y Especializaciones
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Colecciones Científicas
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Envíos recientes
Mesarbol
(Universidad Distrital Francisco José de Caldas) Prado Amaya, Ricardo; Sinning, Guillermina; https://orcid.org/0000-0003-2363-4068
Ricardo Prado Amaya's thesis explores the complex relationship between art, nature, and industrialization from psychological, sociological, anthropological, and symbolic perspectives. Drawing on childhood memories and dream experiences, the author expresses a profound anguish regarding the destruction of the environment and a need to channel these emotions through art. Industrialization is criticized for fostering an individualistic and destructive attitude in humans, disconnecting them from their natural bond.
This reflection is articulated in a process of artistic creation that aims to recover that lost connection. Through sculptures such as the proposed "Mesárbol" (MyTree), Prado merges organic and industrial materials to symbolize the conflict and possible reconciliation between the natural and artificial worlds. The tree, the symbolic axis of the project, represents life, cosmic connection, and cultural memory. The works seek to generate spaces for contemplation, denunciation, and reflection on our ecological responsibility, advocating for a revaluation of art as a tool for inner dialogue and social transformation.
Mudra
(Universidad Distrital Francisco José de Caldas) Castro Sierra, Juan Francisco; Llamosa Escobar, David Francisco; https://orcid.org/0000-0002-8039-9730
The "Mudras" project originates from a personal and introspective search. The author starts from an intimate experience with the movement of her hands, linking this gesture to a spiritual, symbolic, and artistic dimension that becomes the central focus of her artistic proposal. Through working with diverse materials and techniques such as engravings, ceramics, oils, and sculptures, she develops a self-referential visual language inspired by the concept of mudras, ritual gestures used in meditation and yoga. These mudras not only refer to the body, but also to energetic and dimensional structures, proposing an interpretation of art as a form of connection with other realities.
The "Mudric Object," a sculptural piece conceived as a mirror of reflection and transformation, condenses the author's vision: an art in constant mutation, incorporating notions of topology, rhizome, fractals, and formal transformation. In this proposal, mudras are understood as living, dynamic entities, impossible to define outside of themselves, that challenge traditional formal categories and evoke the infinity of becoming. From an existential and poetic perspective, the project argues that the true power of art lies in its capacity to be inexplicable and in its power to resonate in the silence of being.
La civilización
El Constitucional de Cundinamarca; Cuéllar, Patrocinio; Universidad Distrital Francisco José de Caldas. Facultad de Ciencias y Educación. Centro de Documentación de Ciencias Sociales.
The image contains a news article about government and administration matters in Bogotá. It criticizes the actions of officials such as the Governor and Dr. Mariano Ospina, pointing out inconsistencies in their decisions and the language used in legal proceedings. The text reflects concerns about the way authority and public administration were exercised at that time. This article was published in El Constitucional de Cundinamarca on April 26, 1851.
Elecciones secundarias
Hoja suelta; Universidad Distrital Francisco José de Caldas. Facultad de Ciencias y Educación. Centro de Documentación de Ciencias Sociales.
The image contains a news item about the secondary elections in the capital's canton, where voters agreed to vote for specific candidates. Principal and alternate senators, as well as principal and alternate representatives, are mentioned. This article was published in Hoja suelto in 1834.
Cargos hechos a las autoridades
El Constitucional de Cundinamarca; Universidad Distrital Francisco José de Caldas. Facultad de Ciencias y Educación. Centro de Documentación de Ciencias Sociales.
The image contains a news report about a session of the Colombian House of Representatives in March 1851, where accusations of complicity in murder by high-ranking public officials were discussed. Mariano Ospina claimed they were involved and requested a sworn statement. It was also mentioned that Senators and Representatives are not responsible for their opinions in the House. This news report was published in El Constitucional de Cundinamarca on March 29, 1851.
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