Artes Musicales
URI permanente para esta colecciónhttp://hdl.handle.net/11349/28
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Ítem Caudal Bravío: Joropo para cuatro y orquesta de cuerdas pulsadasRojas Rodríguez, Manuel Guillermo; Gómez Correa, Juan DiegoThe music from the Colombian-Venezuelan plains and the Colombian Andean region has had various points of convergence throughout history. The musical piece Caudal Bravío brings together different aspects of the music and culture of these regions, using the cuatro as the central and unifying musical and cultural axis of a broad spectrum of characteristics and ideas that interact with each other across several dimensions throughout its creative process and interpretation. This work delves into the design of the musical piece for cuatro and plucked string orchestra, where the creation of the musical piece is based on: the regional music of the Colombian-Venezuelan plains known as joropo —particularly the joropo por derecho— the cuatro as the central element and unifier of the musical ensemble and various cultural concepts, ensembles of plucked strings made up of popular Colombian instruments from the plains and Andean regions, and the orchestral field —estudiantina form in this case— contributing to the growth and dissemination of the repertoire for cuatro, joropo, and plucked string ensembles. This work develops the musical concepts and creation processes employed in the realization of the piece, explores the origins of the cuatro and joropos por derecho, including the golpes seis media docena and seis del sapo, and showcases several elements that guided the creation of Caudal Bravío.Ítem Análisis y propuesta interpretativa de la viola en el concierto en d mayor de Carl StamitzPinzón Manrique, Daniela; Chitiva Rodríguez, Darío AlexanderLike Universal History, music has been transforming and evolving over the years. These changes have brought with them innovations and a deeper knowledge of the instruments. The viola, an inconspicuous instrument in the string family and even undervalued appears on the musical map gradually becoming a great protagonist thanks to its dark and great depth sound. The concerto in D major for viola and orchestra by Carl Stamitz is the opportunity where this instrument is able to speak and find an important role within the musical scene connecting with its own sounds that allow them to shine naturally. Based on this, through this writing it is intended to be made known and describe the technical and historical elements of this musical piece bringing musicians in general (especially violists) to a deeply knowledge of the study and interpretation of the musical piece throughout a formal and harmonic analysis of the three sections of the concerto. As a final product, it is proposed to make a sample involving the interpretive decisions that are reflected in this document.Ítem Desde el diseño de una metodología de estudio, hasta el desarrollo de una aplicación móvil en pro del virtuosismo pianísticoHerrera Vargas, Luis Guillermo; Cáceres, BibianaIn the search for a technological guide that allows the performer to take control of the daily study in front of the instrument, it was decided to use ICT tools in order to decipher musical virtuosity. Appiano is an application for mobile devices and tablets, which will allow the student (User), to keep track of the daily repetitions of each musical phrase that make up a piano work and timing the time invested in practice, in this case, to the study Op. 25 No. 11 (Winter Wind) by F. Chopin. In the application you will find different ways to execute the passages, for example: using wool gloves, performing anachresic rhythms, thetic, accent every two notes, accent tresillo, note after note, articulations such as staccato and various tips emphasizing finger technique, posture, aesthetics and musicality, in order to achieve a clean and clear interpretation of each note executed. Within the application you will find the instructions on how to study; Through short videos of 30 or 60 seconds, made as an advertising production, since it is a primary factor to contain several different planes for a perfect realization of an audiovisual piece, facilitating the user, an adequate follow-up to the instruction.Ítem Una mirada somática de la práctica musical. Aplicaciones de la Técnica Alexander para la interpretación del violín y desarrollo del entrenamiento triangular.Salazar Acosta, David Leonardo; Pinilla Paez, JuanaThe purpose of this work is to offer a somatic view of musical practice, focusing mainly on the performance of the violin. In addition, it aims to systematize a triadic training, understanding this training as a system that works the physical, mental and emotional for musical practice based on the Alexander Technique. Throughout this text, I highlight multiple personal experiences, which paved the way to develop this research, starting with the collection of documents, taking Alexander Technique classes and applying all the guidelines to my musical practice. On the other hand, I call attention to the academy, since the resources offered were not enough to develop a better musical performance during my passage through the Faculty of Arts ASAB, which is why the triadic training proposed here is a guide to strengthen each of the processes of instrumental interpretation.Ítem El mindfulness aplicado al estudio de la música y la interpretación musical.Casas Rodríguez , Alexander; Angel, PedroThis work sought to show how mindfulness can help face three common problems in music students that affect not only their way of playing, but also their mood: procrastination, stress, and stage fright. Accordingly, certain direct and indirect mindfulness exercises were sought to address these three problems within the context of individual study and music teaching. As a result of this work, a guide was published in podcast format within the program “El Arte En La Vida”. Keywords: Mindfulness, procrastination, stress, stage fright, musical practice.Ítem Práctica profesional como instrumentistas en la Orquesta Filarmónica de Música Colombiana. Informe de pasantía(Universidad Distrital Francisco José de Caldas) Pulido Buitrago, Cristian Felipe; Valencia Arango, David; Bocanegra Jiménez, Guillermo ErnestoThis logbook describes the activities that surround the members of the Philharmonic Orchestra of Colombian Music "FMC", taking account of the processes like rehearsals, concerts and recordings within the group. This document is intended to describe the obligations of an instrumentalist within this grouping. Thus generating technical and stylistic contributions in the different rhythms of the highlands in the colombian territory, as in the assembly and sonority of a camera format like the Orchestra´s. This document looks forward to describe the process as a bandolist and a guitarist as a part of the Orchestra´s. Capturing here different stylistic contributions from each instrument to improve the development and understanding of the musical pieces to be performed.Ítem Dos arreglos para sexteto: Exploración sonora entre el pasillo, el bambuco y el jazz, una práctica viva en la ASAB(Universidad Distrital Francisco José de Caldas) Pachón Ramírez, Jorge Enrique; Bernal Martínez, ManuelThis degree work focuses on the creation and interpretation of two musical arrangements in which traditional popular music from the Andean region of Colombia, specifically a pasillo and a bambuco, are fused with elements of jazz. These arrangements are based on the musical analysis of a sample of six works and some jazz styles, which seeks to identify some particularities of each genre that allow a coherent development to determine which elements will be treated in each of the arrangements to achieve a balanced fusion between the aforementioned genres. On the other hand, as a context in which this work is developed and analyzed, the history and the Educational Program Project (PEP) of the Curricular Project of Musical Arts (PCAM) of the Faculty of Arts ASAB is documented, giving importance to its particularities compared to other university music education programs in the city, by recognizing and valuing the cultural and musical richness of Colombia.Ítem Proceso descriptivo de la preproducción y producción de dos temas grabados en bloque.Vargas Cardona , Anderson; Alvarado Silva, David LeonardoIn this work we will focus on the pre-production and production of two productions in which I was able to participate in various positions, so we will work on production concepts, music, sound and a log that describes the process experienced. Musical production has always been linked to my musical career and has been one of the areas in which I have delved deeper with my experience as an electric bassist, which is why I decided to do this job. Next, we will develop the document in three chapters, musical genre, pre-production and production. To study the concepts, requirements, tools and, among others, to carry out a production.Ítem Actividades y aprendizaje en Talea Estudio. Informe de pasantía(Universidad Distrital Francisco José de Caldas) Gómez Bohórquez, Julián Camilo; Lara Paz, Gustavo AdolfoThe document consist of internship report where it touch all related things with the develop at Talea Estudio internships; finding labor registers and developed tasks at the apprenticeship period. It expose to the reader too what situations arose at that time and the way that how it faced different circumstances; in addition, to collect activities that don´t be in the habitual planning at that type places.Ítem Práctica como instrumentista en la Orquesta de cuerdas pulsadas de Cundinamarca (OCPC) y tallerista en Pasca y TibacuyMuñoz Rodríguez, Cristian Eduardo; Bernal Martínez, Manuel; Guzmán Torres, Carlos AugustoThe focus of the work is to develop a professional practice as a musician and workshop leader in the Orquesta de Cuerdas Pulsadas de Cundinamarca (hereinafter OCPC). The whole process carried out in the orchestra and the experience acquired as an instrumental musician, as an arranger and as a workshop leader during the time of the internship is presented. In the first instance, the origin of the orchestra and the governmental entities that support the process and the functioning of the OCPC. Secondly, the monthly activities carried out as an instrumentalist musician in the orchestra - repertoire, concerts and arrangements - are presented, as well as the pedagogical work and the material carried out as a workshop leader for students in the plucked strings area in the municipalities of Pasca and Tibacuy, showing the progress made with each group.Ítem Exploración interpretativa y análisis de elementos textuales y vocal-estilísticos en la ejecución vocal de Elena Burke, basados en los boleros: "Palabras", "Tú, mi rosa azul" y "Dos gardenias".(Universidad Distrital Francisco José de Caldas) Malaver Rojas, Nicolle Melissa; Ulloa Reyes, Ana María; Restrepo Fogarassy, Diana MarcelaSingers interested in bolero performance face a scarcity of information on key textual-stylistic and vocal-stylistic aspects of the genre, which makes it difficult to interpret and perform that captures the sonic essence of the bolero. For this reason, a brief inquiry is made about the history of the bolero, the life of Elena Burke, her participation as a woman in the bolero and the role of women in this musical tradition. In addition to the interpretative exploration and analysis of textual and vocal-stylistic elements in Elena Burke's vocal performance, based on the boleros "Palabras," "Tú, mi rosa azul" and "Dos gardenias", as well as the description of the author's personal process in interpreting these same songs. The document provides significant information about essential elements for the bolero interpretation.Ítem Un recorrido por el bolero en cuatro países: Cuba, México, Puerto Rico y Colombia, desde el Fondo de Documentos Sonoros Antonio Cuéllar: contextualización y digitalizaciónSáenz Pérez, Giezi David; Millán Grajales, GloriaThrough this thesis, a selection and digitization of audio and images of 367 Latin American boleros from the Antonio Cuéllar sound document collection at the Gabriel Esquinas Arts Documentation Center of the Faculty of Arts ASAB was carried out. This selection includes boleros from Cuba, Mexico, Puerto Rico, and Colombia, as well as some examples from other countries. Subsequently, the discs were cleaned and re-stored in conservation paper sleeves to continue with the sound and image digitization processes of all the selected items. To contextualize the digitized pieces, the written work offers a general overview of the emergence and history of bolero in the referenced countries, analyzing how it expanded and consolidated thanks to radio as a pioneering medium for the genre's dissemination. The analysis also highlights the importance of trios as the primary format, and how bolero has adapted and integrated with the local music of each country, creating different fusions. Finally, the study focuses on some significant trios, showcasing numerous digitized examples.Ítem Edición crítica musical de los opus 36 y 45 para voz y piano del compositor Guillermo Uribe HolguínPérez Mejía , Elizabeth; Leguizamón , DanielThis proposal for a musical critical edition of the opus cycles 36 and 45 by the Colombian composer Guillermo Uribe Holguín recovers part of the Colombian musical heritage in the genre of artistic song. Throughout this work, the reconstruction journey of the works will be explained in their technical and aesthetic aspects, leading to the creation of the score for voice and piano and their respective editing notes.Ítem Composición e interpretación de dos obras de jazz colombiano con técnicas extendidas en el saxofón, bambuco jazz y pasillo jazz(Universidad Distrital Francisco José de Caldas) Galán Rodríguez, Andrés Felipe; Castillo García, FranciscoThis work is looking to establish points of convergence between two saxophone schools (classic and jazz) that have been seen strongly differentiated both in teaching and in the professional world and that usually place the saxophonist in one of the two sides. Therefore, through the extended techniques of the instrument, a journey begins to invite these two currents to the table through two compositions on genres of Colombian andean music that are pasillo and bambuco, the choice of these two corresponds to the proximity and knowledge that we have of them and the interest in making fusions with jazz and extended techniques. In this way, it is possible to bring saxophonist closer to the concert saxophone, jazz, Colombian andean music, and the extended techniques in the same place, breaking a little with that distance between classical and jazz in the saxophone.Ítem Cultura DJ: artefactos, figuras y modalidades de creación. Propuesta creativa y notacional: Estudio # 1 para tornamesa y humedadRamírez Marín, Héctor Jairo; Arroyave Montoya, Myriam; Arroyave Montoya, Myriam [0000-0002-7860-239X]DJ Culture emerges as a category to encompass the conglomerate of musical systems where recorded music and the Disc Jockey are the primary creative force. Currently, these modes of creation hold a permanent place within collective culture; their practices are gradually being incorporated in most art forms, especially music. This document provides a historical and theoretical overview of some highlights in the consolidation of DJ Culture, its artifacts, practices, prominent figures, and creative ways. It identifies, through a series of conceptual tools, how the phonographic apparatus and its genealogy revolutionized both academic and popular music fields through figures like John Cage, Pierre Schaeffer, Francis Grasso, and Grandmaster Flash. Subsequently, it focuses on a series of musical systems centered on the DJ, from northern soul and dub to hip hop, tracing how these musical genres gave rise to the trip hop phenomenon. Thereafter, it delves into contemporary turntable practices, their different notations, and methodologies, concluding with a creative, analytical, and notational proposal for the musical composition Estudio #1 para Tornamesa and the arrangement Humedad, exploring how both works push forward the boundaries of the phonographic apparatus as an instrument.Ítem Orquestación e interpretación de Sonata en F de Tomasso Albinoni para trombón bajo y banda sinfónicaCruz Hernández, Juan David; Rodriguez Rueda , Edgar FernandoThis document describes the orchestration process for the sonata in F composed by the prolific Italian composer Tomaso Albinoni, a work that was originally written for Viola da Gamba and piano. Work to which an extension is made to the format of bass trombone and symphonic band where in turn an exploration is made of the different sounds and colors that this format can offer and the sound of the band will be exploited to the maximum and of the soloist. As well as a contextual investigation that allows us to understand the work, its form and structure to achieve a certified interpretation of it.Ítem Suite - El valle de Medina: versión para banda sinfónica de tres piezas musicales del compositor boyacense Efraín Medina Mora.Solano Salinas, Dayanth Steven; Villamil Medina, CesarMaster Efraín Medina Mora (1924-2008) was a composer from Boyacá who significantly enriched the repertoire of Colombian popular-traditional music (folk music), in addition to having influenced many lives of empirical and professional musicians in his work as a teacher and composer. Among his most acclaimed works, El Guayatuno in whirlwind rhythm stands out, this being the one that gives him recognition in the national sphere thanks to its dissemination. This work presents a biographical approach that outlines the most important aspects of Master Medina´s life, based on interviews with family members and students, and documents collected within the investigative field. Likewise, a version for symphonic band titled: “Suite - El Valle de Medina” is created, which collects three musical pieces that are compiled in the book “20 perlas musicales colombianas - Efraín Medina Mora”, a personal publication made in manuscript by the Master himself. The purpose of this work is to honor Maestro Medina’s life and work as both an educator and composer, while also promoting his music within the symphonic sphere of the country.Ítem Práctica instrumental como clarinetista y trompetista en la Banda Sinfónica de Cundinamarca. Informe de pasantíaOrtiz Reina , Maria José; Siabatto Delgado, Miguel Alberto; Rodríguez Rueda, Edgar Fernando; Mancera Díaz, Víctor HugoThe document Instrumental practice as a clarinetist and trumpeter in the Cundinamarca Symphonic Band. Internship report describes the experiences lived as active musicians of the Cundinamarca Symphonic Band (BSC) during the second period of 2023, as well as the impact this generated in the department of Cundinamarca. With more than 28 years of experience, the BSC aims to strengthen musical training in the department of Cundinamarca and disseminate traditional Colombian, Latin American and symphonic repertoires. During the internship, various activities were developed such as personal study of the repertoire, rehearsals, concerts, chamber music work and pedagogical consulting in municipalities of the department. The cultural importance of the BSC and its contribution to the professional and personal development of musicians is highlighted. The methodology used included the consultation of bibliographic, audiovisual and phonographic material, along with the development of a field diary that accounts for the activities carried out and the achievement of the proposed objectives. This work shows how the experience at the BSC enriched the musical and pedagogical skills of the interns, and their projection towards the community and musical culture of Cundinamarca.Ítem Las líneas de investigación en los proyectos de trabajo de grado de artes musicales. Desarrollo y aplicación de una herramienta analítica basada en la ciencia de datos(Universidad Distrital Francisco José de Caldas) Navarro Bernal, Edgar H; Arroyave, Myriam; Arroyave, Myriam [0000-0002-7860-239X]Currently, the Universidad Distrital Francisco José de Caldas (UD) has been working on the consolidation of research lines in each of its faculties. In particular, the Faculty of Arts ASAB and the Proyecto Curricular de Artes Musicales (PCAM) have established lines of research in order to orientate and classify research processes in the area of the arts. Through the analysis of institutional documents, we examine the historical and normative evolution of the concept of lines of research in the institution, identifying challenges and opportunities. Then, information is compiled on the development of the lines of research in the Faculty of Arts ASAB by means of institutional documents provided by the Faculty's Research Office; interviews are also conducted with teachers to corroborate this information. Subsequently, the Natural Language Processing (NLP) is used to analyze the Degree Projects of the PCAM students, extracting key words from the documents and processing the words with different methods up to the use of artificial intelligence tools, such as Large Language Models (LLMs). Finally, it reflects on the use given to the concept of line of research and highlights how PLN can be a valuable tool for analyzing research output, and in this way, strengthen this concept.Ítem Adaptación de elementos del banjo de cinco cuerdas, la música de Earl Scruggs y el Bluegrass a la guitarra eléctricaCastañeda Rios, Kevin Santiago; Agudelo Valencia, María del PilarIn this thesis the purpose is to demonstrate and carry out the process of adapting musical and technical elements of the five-string banjo and bluegrass music to the electric guitar. This is achieved through the interpretation of two songs by the American musician Earl Scruggs, who played the five-string banjo and was a very important musician in bluegrass. The history, people and musicians involved in the creation of this musical genre are recognized in this work. At the same time, the history and importance of the five-string banjo player Earl Scruggs is highlighted. Earl Scruggs' three-fingered playing technique is studied and adapted to the electric guitar, in the process we can find parallels and a dialogue between the instruments and their techniques. The musical pieces selected for the adaptation of these elements are Foggy Mountain Breakdown and Cripple Creek. Both are important songs in the story and construction of the bluegrass genre, and concurrently are indispensable musical pieces of the five-string banjo. The above is discussed and supported by a musical interpretation performance with a bluegrass musical ensemble which consist of electric guitar, fiddle, acoustic guitar and double bass.