Artes Plásticas y Visuales
URI permanente para esta colecciónhttp://hdl.handle.net/11349/100
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Ítem Informe de pasantía internacional La Fabrique - Blois(2022-04-02) Upegui Bogotá, Rosa Helena; Gómez González, Adrián EdgardoLe rapport suivant est composé d'une description des activités réalisées pendant le stage international de janvier 2022 à mars 2022. Le stage a eu lieu dans la ville de Blois - France dans un établissement public appelé "La Fabrique", un lieu qui fait partie du service jeunesse et de la vie étudiante destiné aux jeunes et aux étudiants de 15 à 25 ans. L'objectif de ce lieu est de proposer des activités dans les espaces périscolaires avec différentes propositions pendant les périodes de vacances, ainsi que d'assurer un accompagnement individuel ou collectif pour que les différents projets se concrétisent en tenant compte des objectifs proposés par les jeunes.Ítem Giovanni Ferroni el paisajista olvidadoOchoa Rodríguez, George Sebastián; Peñuela, JorgeIn the Colombia Art History, there are Painters and artist that although of his contribution to this, they didn’t come to our arts books. For example, Manuel Doroteo Carvajal, landscape’s pioneer in Colombia, who Martha Segura written him some pages, Gustavo Sorzano, Conceptual art’s developer or Giovanni Ferroni, Italian landscape painter, who whit his work contributed to the advance to the art history in our country. This last, great landscape painter doesn’t be in the book history just like a great artist, although he has influence in a crucial moment of the Colombian art’s birth. But, who was this painter? Which is his History and why we haven’t knowledge about him? Ferroni was a painter who born in Ancona, in the middle of the 19th century, exactly in 1853.Just like a consequence for the Rissorgimiento, summit moment in the Italy’s Union, Ferroni has let his native town, to study his school in Venetia. And been there where he learned to paint. The Venetian style that is in his pictures, got the Venetian paint’s own characteristics: the like for the colours make for the landscape denote the Painting’s simple beauty, the sensibility to the elements that be there, and the romanticist touch that is in his work a majestic one. Ferroni brought no only the landscape’s contribution Romanticist and Venetian showed in his fists works. He taken the pictorial view, look around and lustred, made of his works for Colombia the reference that he was in these places, said of his foreigner life in this new World.Ítem Informe final de pasantíaTique Rodríguez, Katherine Stefany; Barbosa Vera, Luis JavierFrequently, the artist creates a limit between himself (his internal) and external aesthetic dimension, understood as the market, disapproving his work and worrying about the institutions (Galleries). Assuming that art as a human language should not be subordinated to an economic model. There is a great lack of knowledge about the art market by artists, which is why in this report, besides documenting my personal experience during my internship work. I want to reflect on how the artist sets his goals based on it's previous knowledge and it forges his career. My idea is to open the questions, what tools does university gives us to face the world of work? Do we have a know ledge deficit in the field? and how this makes it difficult for artist to have a successful career? Is it possible to stop facing alternative jobs to survive? As a conclusion after my internship, I realized that broadening our knowledge about the market could give us more possibilities to generate a supply of strategies either through an agent or self-management, this, in addition to empowering our profession.Ítem La conversa como práctica sensiblePiedra Rozo, Óscar Iván; Monroy Piedra, Óscar GiovanniIn this assignment I investigate the dialogues that occur in everyday spaces. In these exchanges, as I prefer to call them, there are encounters that I sense go beyond the mere interchange of ideas. These meetings interlace sensitive relationships with others and transform all those involved. The reflections that I make in this project were nourished by dialogues with intimate friends and family. Included in this reflection of dialogue, I review the artistic practice in the contemporary scene and in the discourse of everyday aesthetics (Prosaic), which expands the traditional conception of this practice. Parting from the aesthetics acuity, I begin to explore certain attributes of conversations in the usual environment with the intent to exhibit the experience as transformational (subjective) to all the participants.Ítem DemosRuge Moreno, Juan David; Foglia Ortegate, AndrésPerhaps capturing the notion of reality is the most difficult thing for me and some people my age. As a renunciation of the possibility of any collective reality, there is the alternative of putting the determinant "me", to speak of my reality. Having renounced the affirmation of a certain reality, severe and normal, only remains resigned to the anecdote fraught with uncertainties, ambivalences, uncertainties and ambiguities. Things happen and there are subjects present, however the thoughts and interpretations of each one regarding what seemed so obvious at the time it happened, will be affected, upset and unfocused, and when there is doubt it becomes difficult to believe that something is real absolutely. Various media offer the possibility of capturing a reality, memory, words, sound recording, photography and audiovisual image. However none does anything more real. Behind these means there is always a subject that enunciates, and the reality that it shows is mediated by its notion of reality, that is, by its particular way of thinking and interpreting it. When the intention is not to convince, or to enunciate truths, and reality is interpreted as a set of confusing events, memories and experiences, the possibility arises of triggering the real from doubt and using the means to construct a reality, as it is Records. The DEMOS project is the result of a process of archiving and editing of material obtained from the action of constantly documenting the closest reality, that shared with other subjects, in which there are confrontations and in which there are no principles or strong foundations. Through the writing of stories, photography and digital video recording, we try to recover that notion of lost reality, and at the same time leave a record of a moment, stage or age in which we have more doubts than certainties, is accciona Without reason and purpose and the reality is interpreted as a nothing irrepressible and difficult to thinkÍtem El lugar de lo posibleGarces Bohada, Lynda Dayan; Mendez Bernal, Rafael MauricioI’m convinced that desire is a try to answer a metaphysic calling that we are unable to assimilate completely, However, in spite of it to have a deep spiritual origin and be essential for our life understanding, the 21st century man has been in charge of transform desire into a useful artifice for capital production who bit by bit is promoting a substantial loss of authenticity. This Project aims to inquire the role that artificial carácter of desire plays on contemporary construction of subjectivity, through an experiential dialogue between desire’s individual being and the imperial system who controls him and who, in middle of consumer society, permeate his questions about being and his perception of desire like a natural instinct that is necessary for his own development.Ítem Maneras de estarOrtiz Torres, Mónica Alejandra; Garavito, ElizabethDid you want to do something but your shyness didn't let you? What does a shy person bring to society? What happens when you have been labeled as a shy person? These and more questions are being resolved in this process called Maneras de Estar. A journey, through experiences that are linked to shyness. Treating shyness, not as an illness or a problem is important to start to heal, to laugh at yourself, to recognize the ridiculous, value and fun of that feeling that makes you or have been part of people who face social interactions. That includes the vast majority and surely you who are reading this.Ítem Pasantía Asociación de Artistas Gráficos LatinoamericanosPachón Ordoñez, Johanna Paola; Barbosa Vera, Luis JavierThis report refers to the work done within the internship at the Association of Latin American Graphic Artists where I found the motivation for the workshop approach as a work option, in turn, allowed me to reassess my interests and transform the project to develop, embodied in an exhibition entitled "Nirma Zárate. From paper to pulp "Ítem Mitología de los sueñosValencia Castaño, Andrea; Castles, JohnMythology of dreams is a pilot project that aims to integrate three aspects: Dreams in sleep; expression through artistic creation and the emergence of a personal mythology, contemporary. Everything starts from the dreamlike experience that experiences the author of the project, which comes the desire to investigate and delve into the experience. Some dreams come equipped with a linguistic play, full of new words and images that are part of the dream and after serving as research and development equipment. Specifically neologisms that after being addressed and understood, that is, after a particular MEANING provide them from the dream experience, recreation available through the material chosen by the author, the wool is taken. It should be noted that Lana has been raw material traditionally used in many indigenous communities, which use it as language code, if you will, by which their world view and cosmology plasma, in addition to being used in many other practices ancient as are the eyes of power Huichol, backpacks, pictorial representations, among others. Artists like Violeta Parra and Alejandro Xul Solar are taken as reference because in its multifaceted artistic works, the Hessians, painting, watercolor and drawing, cohabits both the experience of reverie as popular traditions that sometimes are equipped with an ideological, political. And to end we note that the experimental process allowed to build through the proposal (Dreams portrayed in wool on canvas) a personal iconographic representation which allows to approach the notion of personal mythology, and in each of the fifteen a figure is created gravitates particular insight into the process of sleeping.Ítem Maternarte, una experiencia de la maternidad como refugioCórdoba Rodríguez, Jennifer Carolina; Garavito López, ElizabethMaternarte, a maternity experience as a refuge; it arises from my personal experience as a mother in the period from 2017 to 2022, in a context where my own experience and the other women dwells becoming an own refuge. The project develops in a transversal manner the maternity as a place and care and creation as fertile spaces. Place and space dwells from the self-understanding of experience, giving as a result a sculptural installation in which the refuge allows the meeting with oneself from a maternal intention.Ítem Calle 14 la pasantíaRamirez Jerez, Juana Valentina; Gomez Gonzalez, Adrian EdgardoIn the academic field of plastic and visual arts, a great series of possibilities are covered when developing technical and cognitive skills that prepare us as masters of doing, creating and investigating. In this project the link is related through praxis in a research space - creation such as the research magazine in the field of art, Calle 14; where what I have learned is expanded and how I can evoke it through visual and written communication. Here a series of premises are set forth that are born from the capture of the image as research, and its relevance in this, taking into account the implementation of research in art and how it is important for the medium.Ítem Radiografía del alumno / vagabundoQuiroga Rubiano, Diego Alejandro; Arbeláez Grundman, María JoséAs a Plastic and Visual arts student , I decided to finish the career by doing a trip across four countries of Latin America , a journey that would be shaped from apathy to academy , wondering about questions about interpersonal relationships , the "must be" and traveling as character generator .This is the evidence of a process in which I decided to jump from the confort of my city , opening myself to the new , to the different , taking advantage of the last remaining will in this particular cicle called University .Ítem Pasos de una mediadora en ColombiaBriñez Chaparro, Angie Paola; García Córdoba, MarcelaThis monograph is written in a narrative way, where aims to demonstrate the contribution of Artistic Mediation with processes creative and expressive elements of a community in the process of rehabilitation of the city of Medellin and the municipality of Chinauta. You will find in the first chapter the frame of reference; where I know breaks down the concepts that make up the term M.A. Then you will find, in the second chapter, the experience and description of the artistic workshops carried out with the community. The third chapter is called La Depre, a reflection on the depressive disorder based on my personal experience and as a last point the conclusions obtained in my practical work are evidenced and theoretical.Ítem PorroGrafíaMartínez Lemus, Dania Juliana; Forero Cardenas, RicardoThis degree project shows the execution of a Ideas set guided by the instinct and taste towards pleasant substances and experiences, explicitly based on cannabis as a means of graphic humor, satire, and analysis. explicitly based on cannabis as a means of graphic humor, satire, and analysis. It's presented in the way of entrepreneurship, which has the purpose of planned establish a company or organization through the constitution of a business model or the structuring of a business plan. PorroGrafía, is a brand of graphic products, fashion and paraphernalia; the structure of this company, is based on cannabis and psychotropic as a concept, does not involve its manipulation; It appropriates distinctions of the local users among these: language, customs, traditions, actions and debates around the plant. The work team formed by Diego Torres (Corinto Pleno) and Juliana Martínez (DaniaxX); begins his career with “the Cannabis Carnival” official poster from 2016, in the wake of that design is proposed the first collection of decals about the same carnival. In 2017 it is settled as a brand in market test mode. The visual identity of the brand seeks foster a different perspective on psychotropics, strengthen user identity through diversity of serial products and mass consumption web content, allowing this project economic and cultural advance. Based on the data collected during the market test time (2016-2018) are written in this document: the business plan and feasibility study of PorroGrafía. With the only purpose of analyzing and defining the necessary means of economic sustainability, generate alternatives for production and circulation so that the brand prevails and grows as a company.Ítem Multitudes en TránsitoGómez Coronel, Daniel Esteban; Rivas, Carlos FernandoIt's very interesting how the emotional aspect of an individual is affected when forced by the public transportation system to be part of a crowd. One recognizes a massifying intention in social spaces that compels us to become just another member in different groups of strangers, formations that occur within an imperfect urban daily life, especially on the journey from Soacha to Bogotá, as it happens in Transmilenio. The physical conditions, design, and inadequate management of this system crowd us, forcing us into contact and proximity in a systematically invasive manner that seemingly disregards our right to individuality and our value as human beings. An origin to the problem is suggested in the way policies inherent to capitalism, which define the social and economic dynamics of our contemporary societies, manifest themselves inside a Transmilenio car, primarily through the user's visual and auditory experience. Therefore, the text is primarily constructed from personal experiences and encounters. These are presented to the reader through the formulation of questions, seeking to validate and contrast them regarding Transmilenio user rights, as well as exploring insights from other authors and artists.Ítem Prácticas para no olvidar - El dibujo como estructura de pensamientoCéspedes Ruiz, Natalia; Rincón Pachón, Favio HumbertoThis project arises from the need to remember through drawing, due to partial memory loss. Within my own quest, these drawings became integrated into my artistic practices. As a result, new practices were born to not forget a journey through my drawn memories and their cognitive process. With this project, I aim to provoke reflection in anyone who finds themselves in the act of drawing, encouraging them to contemplate with each stroke and henceforth exercise their own way of thinking about drawing consciously.Ítem El anuncioDuarte Guevara, Juan Carlos; Forero Cárdenas, Ricardo AlfonsoThis work, from the author´s personal experience, tries to account for how the mass media -especially the TV- culturally shape citizens. This influence is evident through the popular announcements that make up and configure the city in a special way. Three parts constitute the work: in the first is located, in a brief way, the question about culture as a matter of several events (social, political, economic, geographical, etc.); in the second part does an approach to the context, the neighborhood in the city; in the third aplastic proposal is proposed from the previous points.Ítem Hora pico al atardecerBeltrán Fajardo, Daniela; Gómez, AdrianRush hour at sunset is born from the personal search to find a place to be calm and explore my sensitivity within the chaotic Bogotá. It starts with a drifting walk through the city, where I tune up my listening and discover that the songs of the birds and the sounds of car engines coexisted and did not compete in the landscape. Deep in topics such as the fragmentation between the body that inhabits and travels the city and the consciousness of this, the eagerness and the influence exerted by the relationship with the family in the perception of situations outside the home. In the process, I understood that the root of the problem was to think me outside of this and I conclude that being sensitive is a decision and the place for the break is not in another place but in me.Ítem Invisible e informalCubillos Quezada, Angélica Rocío; Pinilla Zuleta, Sara GabrielaInterview with 9 female domestic workers, who through a video talk about their personal and work life. Their comments are contrasted with the opinions of a union and with the imaginary one has of these women in the cinema and the television.Ítem Tanto dulce como amargoGutiérrez Parra, Stephany Andrea; Goméz González, Adrián EdgardoThis project starts from a series of consultations, about the slow and systemic cultural idealization that is imprinted on the bodies, where ideologies, identities, races, roles and behaviors are registered, which determine them. Without leaving aside the specification on gender, as a concept that does not refer to the sexualized reality of it. Qualifiers that do not concern dynamics to the biological and presocial basis that refers to the difference between male and female, if not the adjectives that determine gender within a set of values, attitudes and expectations that each culture designs to build each other. others and some in reference to the others. These cultural restrictions have been limited and applied, one through narrow and oppressed social, cultural, medical and religious ideals, which prevent us from appropriation, erotic search, experimentation and the pleasurable use of the body. Sometimes we are presented with shyness, two "unique" forms that refer to pleasure, one imposed, forced and complete with codes (rationalized) based on prudishness and the other free, (instinctive) that reveals itself with a transgressive presence before a whole complex structure of power over bodies.