Examinando por Materia "Compositores colombianos"
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Ítem Arreglo e interpretación de dos pasillos colombianos de los compositores Gentil Montaña y Arnulfo BriceñoArias Prias, Jonnatan; Amaya Ruiz, Nicolas; Rincón, FernandoThe present work consists as a final product the arrangement and musical interpretation of the works "Master" and the "hall of Suite No. 1 for guitar", works composed by Arnulfo Briceño and Gentil Montaña respectively. This work describes the original versions of the themes. It also presents the process developed by the arrangements, focused on both technical aspects of interpretation and composition, seeking to give a vision of how the adaptation was made, on the one hand, to a musical format of piano and guitar, on the other hand, to a piano, guitar and voice format, based on a composition initially intended for solo guitar, as for the singing and accompanying instrument format respectively. The contextualization of the life and work of the composers Gentil Montaña and Arnulfo Briceño is also presented, highlighting the contributions that have been evidenced in his musical career and that, directly or indirectly, have contributed musically to our Andean regional music and that help keep or transcend in the hallway, such an important and representative genre in our traditional music.Ítem Cuaderno de partituras 2Gómez, Rubén Darío; Guarín Ortiz, David Leonardo; Gómez Rincón, Carlos Alberto; Sánchez Gooding, Luis FernandoThe compilation presented is a documentary panorama of the musical creation originated by members -teachers and students, graduates or in the process of becoming one- of this academic and artistic community that is the Musical Arts Curricular Project. This compilation brings together the scores of the pieces: Jiná by Rubén Darío Gómez; String Quartet by David Leonardo Guarín Díaz; Morrocoyera Suite by Carlos Alberto Gómez Rincón; Escaping from Rubén Darío Gómez's mitote; Maria Jose de Luis Fernando Sanchez Gooding.Ítem Cuaderno de partituras 3Bernal Martínez, Manuel; Nieto Salguero, Jorge Iván; Vargas Enciso, Daniel; Mora Betancur, Gabriel; Cardona García, León; Gaona, Andrés Mauricio; Leiseca, Jorge; Herrán Contreras, Álvaro José; Vargas Franco, MelissaThe compilation presented is a documentary panorama of the musical creation originated by members - teachers and students, graduated or in the process of becoming one - of this academic and artistic community that is the Musical Arts Curricular Project.Ítem Eso es música de aguardienteros: la obra musical litúrgica de Luis Torres ZuletaHidalgo Cuartas, Juan Camilo; Castillo García, Francisco JoséThe development of liturgical music in the Catholic Church is a complex phenomenon that has been shaped, among other things, by an established regulation. This thesis presents and discusses how the history of the regulations was configured until the Second Vatican Council; the discussion of legislation and its evolution allows identifying the consolidation of a conglomerate of rules that have been followed by various composers. In addition to this, the articulation between folklore and liturgical music is reflected upon as a result of the precepts originated by the Second Vatican Council. As a case study, the music of the composer Luis Torres Zuleta is detailed, who made significant efforts in the articulation of liturgical music and folk rhythms from Colombia; the composer’s catalog and the recordings that have been published were analyzed. Finally, unpublished recordings of his work are presented.Ítem Estreno de cuatro obras colombianas para fagot y catálogo de obras latinoamericanas para este instrumentoBurbano Torres, Jenny Cristina; Millán Grajales, GloriaEstreno de cuatro obras colombianas para fagot y catálogo de obras latinoamericanas para este instrumento, it's a research paper in creation and interpretation category, which began since te research about existing latinamerican repertoire to fagot. How result of searching, I selected music works to analyze and performing, which have a characteristic their first appearance.These are compositions made by Colombian musicians: Cristian Camilo Guataquira, Samuel Bedoya Sánchez, Alexander Paredes Salazar and Javier Fajardo Cháves. Additionally, this research gives the outcomed of gathering data around the existence of latinamerican and Colombian works for soloist and assemble fagot of chamber music recitals.Ítem León Cardona: seis décadas de música sin finSossa Aljure, Daniel Iván; Amézquita Gaitán, John Alexander; Ramírez Reina, Carlos Armando; Gilón Quijano, Ligia Esther; Borda Muñoz, Iván Horacio; Amezquita Gaitan, John Alexander; Martínez Roa, Lina Marlen; Millán Grajales, Gloria; Bernal Martínez, ManuelLeón Cardona: six decades of endless music, gives the construction of an updated review of the Antioquian composer in mention, a catalogue of the greater part of his works, the edition of eight scores unpublished or little widespread, and the production of two arrangements in order to be interpreted by the authors of the work. To the compilation and systematization of important and little accessible documentation, a text was added in order to put together the written products with the audiovisual and sound documents. Thus, this work expands the vision related to the artistic contribution of Cardona in arrangements, interpretation, composition and conducting of popular music groups.Ítem Luis Uribe Buen y la Italian Jazz Orquesta en la Colección Sonora Antonio Cuéllar: digitalización, catalogación y transcripciónHermosa Melo, Javier Dario; Millán Grajales, GloriaThe work Luis Uribe Bueno and the Italian Jazz Orchestra in the Antonio Cuéllar Sound Collection: Digitalization, Cataloging and Transcription, was done at the Gabriel Esquinas Documentation Center of the ASAB School of Arts at the Francisco José de Caldas District University. It recovers the sound memory of the musician Luis Uribe Bueno and the Italian Jazz Orchestra, by digitizing the existing sound and image files in the collection of the aforementioned artists: 161 and 33 respectively, in order to make known of your work to the interested community. The project also includes reviews of the artists under study: it takes a tour through several of the facets of the master Uribe Bueno, such as those of the performer, arranger, composer and artistic director of Sonolux; also makes a brief note about the history of this record company and finally about the history of the Italian Jazz Orchestra. On the other hand the written work includes the log of activities carried out in the process of the internship, the transcription of the complete score of 3 selected pieces of music and annexes such as the folders of the digitized files, some scores compiled and other documents of interest.Ítem La música de Julián Guerrero Eraso. Fragmentos de una propuestaNarváez Moncayo, Laura Gabriela; Castillo, FranciscoTHE MUSIC OF JULIÁN GUERRERO. FRAGMENTS OF A PROPOUSAL is a degree work that inquirer about the musical work little known of a musician who has been always present in the Musical scene, specially in Bogota. This initiative was born from my interest in performing the composer´s songs which lead me to do a biographical review from the conversations and stories contributed by him; It underlines three facets that define his work and is complemented with a list of his works. These previous aspects are in the first chapter, followed by detailed descriptions of three particular musical works as well as their musical edition.Ítem Repertorio para apoyar la enseñanza y aprendizaje de la técnica de clarinete basado en cuatro obras latinoamericanas para el instrumentoAlzate Cardona, Diego León; Villamil Medina, Cesar AugustoThe Latin American catalog of works for clarinet is quite broad; to carry out this work, a selection of works was made where examples of technical resources that can serve as a guide for the clarinet student. In this work are explored the works Estudio # 5 by Mauricio Murcia, Tres Piezas for Clarinet Solo by Blas Emilio Atehortúa, Triptych for Clarinet # 1 by Andrés Posada and Cinco Sketches for Clarine Solo by Roberto Sierra; Although these elements are found in other repertoires, these pieces were selected for the richness that they can represent at the level of technical resources that can be used for clarinet teachers and students to delve into the music of Latin America and explore its pedagogical use. Given that the technical resources are presented from concrete works, in this document the composers are contextualized, in recognition of their work and the contribution made to the repertoire of the clarinet. This work is a tribute to the work of clarinetist Guillermo Marín, who wrote the document Cinco Obras by Alejandro Sánchez and its application in the teaching of the clarinet (2011), a work where an invitation is made to the technical study of the clarinet based on the five works by clarinetist and composer Alejandro Sánchez; Marín's work served as inspiration and starting point for this investigative and pedagogical work in favor of Latin American music written for clarinet to contribute more substantially to the professional training of any clarinet interpreter.Ítem Versiones musicales de las obras El Mochilas y El Dorado, del maestro Francisco Cristancho Camargo, para quinteto de saxofones, bajo eléctrico y percusión.Cristancho Cáceres, Andrés Francisco; Lara, GustavoIn this project 2 musical versions are made for a small, non traditional orchestral format of the works El Mochilas and El Dorado, by Master Francisco Cristancho Camargo, renowned Boyaca’s composer. The elaboration of the musical versions implies a series of steps that go from the investigation of the origin and cause of the composition, to the search of the sonorous characteristic that allows to maintain the style and intention of the original work with proponent sounds that do not affect their stylistics or form. This degree work belongs to the creation or interpretation modality, from the bases of the emphasis in Composition and arrangements, and is developed with the purpose of contributing to the musical versions the knowledge acquired in the studies of the career. As a document that supports creative work, arrangements are delivered (versions) of the works "El Mochilas" and "El Dorado", by Master Francisco Cristancho Camargo, for quintet of saxophones, bass and percussion, attending to the need to maintain the musical works of the composers as a tangible and current legacy. Keywords: Francisco Cristancho Camargo, Bambuco, Pasillo, El Mochilas, El Dorado.