Examinando por Autor "Lara Paz, Gustavo Adolfo"
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Ítem Creación de una pieza musical basada en una fotografía y hechos del suceso conocido como la masacre de BojayáLuna Berbesi, Iván Ricardo; Lara Paz, Gustavo AdolfoCorrer tras el viento (Chasing the wind) is a composition that aims to raise a voice against the nonsense-violence which Colombia is and has been through, the musical piece is added to the process of historical memory and no repetition, by keeping alive through art, the horrors lived by the inhabitants of the Chocoan and Antioquian Atrato in the event known as the Bojayá’s killing in 2002. This work implies a phase of graphical, written and audiovisual information compilation from the media at the Centro Nacional de Memoria Histórica (National Center of Historical Memory), also it deeps into the concept of music and image, symbolism and language as a base for the piece’s composition. Finally, the concepts products of this investigation are integrated to create the piece Correr tras el viento, composed for brass quintet and fixed sound from elements related to the killing.Ítem Diseño sonoro. Composición original para el cortometraje animado Elephants DreamOrdóñez Vargas, César Augusto; Lara Paz, Gustavo AdolfoThis document describes the compositional process in the sound design for the animated short film Elephants Dream. It is born from the compositional curiosity of recreating the entire sound space based on a sequence of determined images, in the specific case of work, for an animated short film. The main role of the soundtrack and its structure is sought from the beginning, in the development of the narrative proposed by the short film. An analysis of two fragments of soundtrack outside the short film is made, from which key information for musical creation is extracted, how to give continuity to the musical discourse within the short film, added to orchestration and instrumentation factors. Finally, the data collected is specified and the creation of the sound design is made for the short film in question, to demonstrate the importance of the soundtrack in an audiovisual work of art.Ítem Estrategia de marketing digital independiente del dúo electrónico Quininí.Guchuvo Monroy, Pablo Mauricio; Lara Paz, Gustavo AdolfoFrom a musical product made by electronic music duo Quininí, digital marketing model is postulated that allows in detail to know, understand and develop different strategies of dissemination, visibility, management and interaction framed in the dynamics, trends and possibilities of the digital world. It makes a tour through the different platforms available such as Facebook, Twitter, YouTube, Instagram, Google +, among others; after describing its qualities, tools and benefits that each offers. Draws a schedule of activities to be executed in four months, indicating the time and motion in each social network with their digital content to communicate and / or publishing such as the new image of the project (Logo), official photographs and concert 2 singles, EP, Music and promotional videos. These are clearly directed towards targets and expected results (Likes, Followers, comments, republication, attendance at presentations, downloads, etc.). Also is established the socialization process a proposal to help with due monitoring, compliance and progress of digital strategy.Ítem Estrategia de marketing digital para la promoción y difusión del sencillo Musical “Qedas tu” de Oscar AchuryPachon Achury, Oscar David; Lara Paz, Gustavo AdolfoAs the creator of a music single and its respective music video, I take the liberty to share a digital marketing model that shows step by step the process to apply the advertising strategy necessary for the diffusion of a music product. This model will give the interested party the visibility and confidence to enter into the dynamics of the digital music market. Unfortunately, more often than not, the silence and the lack of visibility of good companies and good music products makes them lose customers at the hands of others, who although are not as good, have better marketing skills. As a result five digital tools that help in the promotion of music will be presented: websites, search-engine optimization, online advertising, social networks and digital music platforms. Furthermore, the use and applicability for each digital tool will be described in order to get the most out of what each offers. On the other hand, a schedule of activities, respecting both the times and operations that each digital tool requires, will be presented. Finally, success indicators in social networks and in websites will be explained. All of the above is aimed at the generation of advertisement that will help diffuse the music product and eventually make it successful.Ítem La Marimba Sinfónica y Vibráfono en el Rock, contexto, análisis e interpretación de obras de las agrupaciones Trois de Huitième y The Big TroubleVanegas Vargas, David Alexander; Lara Paz, Gustavo AdolfoThis work is presented in the mode of creation or interpretation, which demands the realization of two products: a creative process and a written document. The creative work consists of presenting an audiovisual material compiled from the Trois de Huitième group, which incorporates the symphonic marimba in its repertoire, different case in the rock scene of Colombia that presents an instrumental format consisting of electric bass, drums, electric guitar, tambor alegre, symphonic marimba and voice. This group apply its instrumental format to the Indie Rock, Pop Rock and Progressive Rock with compositions typical of the group and the theme "Red White Blue Orange" by the group The Big Trouble. The written document is structured in two chapters, the first chapter studies the historical context of symphonic marimba, vibraphone and rock, contextualized from the 20th century to the present day and showing the main groups and instrumentalists that have contributed to the evolutionary process of the marimba; the second chapter shows a detailed analysis of the work "Red White Blue Orange" of the group The Big Trouble and of the work "Silencio" of the group Trois de Huitième, focusing on harmonic, melodic and instrumental elements; added to its context and trajectory.Ítem Microestructuras a partir de bambucos, pasillos y la obra de Bartók.Oviedo Garzón, Daniel Sadrac; Lara Paz, Gustavo AdolfoThe songs of the western Andean axis are a national reference, the resources that range from their polyrhythms to the characteristic sound of acoustic instruments with orders of triple strings such as the bandola and tiple, passing through the repertoire, within which the most recognized and those that are not so much have been evolving into referents of Colombian music, for example Leon Cardona and the modern harmonies that present their pieces. On the other hand we have the aesthetic references that set a precedent in the tradition of Western academic music, more precisely we point to Béla Bartók, who also became interested in the folklore and popular music of his country. In this document we find a series of compositions that introduce an approach to what could be called a fusion of styles, combining characteristic elements of pasillo and bambuco with some of the most interesting features in the pieces of the hungarian composer.Ítem Música para videojuegos del género Survivor Horror propuesta de sonorización y composición de la música para el Tráiler del Videojuego OutlastVega Suárez, Mónica Paola; Lara Paz, Gustavo AdolfoThis work is an approach to the type of soundtrack that can be used in a video game of the genre Survivor Horror with the objective of developing a soundtrack proposal for the video of the official trailer of the video game OUTLAST. In the first part, an approach is made to the generalities involved in videogame music, focusing on the technical and theoretical aspects that are used when adding soundtrack and how music, considering the emotional directionality, interacts to highlight certain situations that gender poses. The second part makes an approach to the genre Survivor Horror by analyzing the soundtrack of the video game Silent Hill and the soundtrack used in it, for the purpose of finding examples of the musical and sound resources used and highlighted in video games of this genre, taking the psychological aspect and emotional directionality as a reference of analysis. This part includes a survey of people who playing the video game IB -also a Survivor Horror game-, and their experience regarding the music. To conclude, a soundtrack proposal is elaborated that includes a musical composition for the video of the video game trailer OUTLAST developed by RED BARRELS.