Examinando por Materia "Arte - Exposiciones"
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Ítem Las disonancias del arte sonoro y las convergencias de la plástica sonora en Bogotá, ColombiaVillamil Pineda, Leili Madeleine; Vanegas Flórez, Guillermo AlexanderSound is a space for dissent, for creation and experimentation. Today we can make these affirmations because we already understand its trajectory as creative matter during the twentieth century. Being composed, complex, descriptive and sometimes cryptic sound in visual arts configures the present investigation which is a convergence of several postulates of sound as an element of creation, exhibition and axis of thought. It is also an analysis from an anthology of sound art in Colombia and the divergence that may exist between, sound plastic and curatorial approaches of an exhibition system that is developed from the unification of several artists and works that essentially are established in sound or, on the contrary, they repel being denominated within it. For the understanding of these dissidents, this investigation is established from the end of the eighties to the present.Ítem Economía de lo mismoBriceño Barreto, Javier Mauricio; Arbeláez Grunndman, María JoséEconomy of the same is a project of creation, starting from the reflection on the original copy-relationship, within the field of art. It establishes questions and coincidences between the repetitive exercise of the behaviorist method (Planas de texto), Sol Lewit's sentences on conceptual art and images of art and education. This project seeks to alter and freely reproduce sentences and iconographies of art and education, revising traditions adopted as a norm in Colombian culture, through a qualitative analysis of school textbooks of children's education and phrases found as educational values. The behavioral method, a means of teaching and learning, adoption and norm in the country, is converted by means of artistic creativity into a model of cultural appropriation, contributing to blur the possible boundary between art and politics, art and education, history and Reality, copy-original. The project starts from a vital experience in childhood, thanks to the encounter with office materials (carbon paper, stamps, pens, pencils, etc.) forming, from an early age, an aesthetic sensibility that later, in university education, Copy exercises raised in the two-dimensional area of the university. From the reflections projected by an exercise of image copying and pictorial schools, we begin to question the way in which educational programs in Colombia adopt foreign models of learning, and how they are part of our culture since childhood education, establishing a prototype of Individual and society.Ítem La hora WarnerGuarín Serrano, Jorge Luis; Vanegas, GuillermoThe same aesthetic as a mechanism used to indoctrinate the observer, where the strategy is to address the symbolic meaning of the image and with this change the projection of a subject against society that is initially negative. This proposal allows the marginalizing from the knowledge mitifique the collective and his encounter with the pictorial reference of religious art which It contains marked moral guidelines that lead to pleitesía by a martyr and the sacrifice. The collection of images found on social networks infinite sample particularities that lead this search to deep places where Empowered circulate and disseminate products through precarious records, images unfocused with strangers frames that identify the value that is given to a context where the use of premium apparel Looney Tunes. The iconographic richness containing the context of the neighborhood as landscape, periphery, population is present in his later records show dynamic with specific social and political background in which adversity is palpable and followed by lack of opportunities it implies unionize under the guideline drawings animated Greedy demented personality and which indirectly answered human relations in this space. This call informal called subjects Island neighborhood to make part of this photo shoot, where the only requirement was pose with their clothing Looney Tunes. Why accept a call in which they would be photographed within the facilities in the house of the culture of this neighborhood? On the front of a painting space previously. There began the real call, because the question was repeated with intensity was How much? How much does, I do a portrait? The nature of this project which would be arranged as gods, saints and martyrs under the nickname empowered to be portrayed in oil, called attention appearance as something exotic, some refused, others attending the call without asking anything in return agreed to this meeting, where the challenge was to transmit through a new composition a sense of superiority in which evidence defiant, noting the relationship with religious portraits where they had different expressions, and subsequent installation at high altitudes in cathedrals.Ítem Informe Final de PasantíaAlvarado Pulido, Sara Jessenia; Barbosa Vera, Luis JavierThe following report consists of the description of the activities carried out during the internship between April and November of 2017 in the exhibition hall of the Faculty of Arts ASAB, by the student Sara Jessenia Alvarado Pulido, this report covers from planning of the activities carried out, the established schedule in room, objectives, and conclusions, as well as attach documents and photographs that sustain such information.Ítem Informe final de pasantia Galeria NeebexBerbeo García, Ariadna; Barbosa Vera, Luis JavierIn February 2016 I started my internship as part of the curatorial team. With the guidance of gallery owner Thierry Harribey and his curatorial team, I reaffirm what I learned in the academy and discover a different point of art than the artist in formation. Starting from my interests in the Fine Arts (History of Art and Visual Studies), I am granted works that are not always in line with these, complement and enrich the knowledge about art. Develop a curatorial project, which I will explain later, is one of these works.Ítem Pasantía Asociación de Artistas Gráficos LatinoamericanosPachón Ordoñez, Johanna Paola; Barbosa Vera, Luis JavierThis report refers to the work done within the internship at the Association of Latin American Graphic Artists where I found the motivation for the workshop approach as a work option, in turn, allowed me to reassess my interests and transform the project to develop, embodied in an exhibition entitled "Nirma Zárate. From paper to pulp "Ítem Pasantía Galería NeebexRodríguez Mora, Saahira Irene; Barbosa Vera, Luis JavierThe internship in the neebex Gallery is a project where the artist degree in education developed as an artist within a business , artistic , cultural , galleristic and commercial context. Theoretical learning and plastic artistic content acquired during the years of the race is tested in a labor practice that faces the student for nine months to a professional stageÍtem Relatos de poder. curaduría, contexto y coyuntura del arte en ColombiaOrdóñez Robayo, Camilo Andrés; Niño Morales, SantiagoThe expose of curatorships Displaced (2007), Arte y Violencia (1999), and Arte y Política (1974), agree to three key moments for the understanding and visibility of curating as a powerful intellectual and cultural practice within art field in Colombia. These coordinates reveal that although the curatorship is fully introduced in our context for a short time, when considering individual trajectories of professionals who have exercised this practice, and to confront a critical mass of documentary material and local discursive production around curating, is possible to draw a trajectory of several decades that modulate its understanding from localized perspectives. From a radical contextualism related to the approach outlined by Cultural Studies, Power’stories proposed a genealogy on the introduction , assimilation and transformation of curating in Colombia, its power to produce speeches and interventions in the field of art, and its competence to describe or point contexts about artistic and social conjuctures from the production of their visual stories.