Las disonancias del arte sonoro y las convergencias de la plástica sonora en Bogotá, Colombia

Abstract

Sound is a space for dissent, for creation and experimentation. Today we can make these affirmations because we already understand its trajectory as creative matter during the twentieth century. Being composed, complex, descriptive and sometimes cryptic sound in visual arts configures the present investigation which is a convergence of several postulates of sound as an element of creation, exhibition and axis of thought. It is also an analysis from an anthology of sound art in Colombia and the divergence that may exist between, sound plastic and curatorial approaches of an exhibition system that is developed from the unification of several artists and works that essentially are established in sound or, on the contrary, they repel being denominated within it. For the understanding of these dissidents, this investigation is established from the end of the eighties to the present.