La hora Warner

Abstract

The same aesthetic as a mechanism used to indoctrinate the observer, where the strategy is to address the symbolic meaning of the image and with this change the projection of a subject against society that is initially negative. This proposal allows the marginalizing from the knowledge mitifique the collective and his encounter with the pictorial reference of religious art which It contains marked moral guidelines that lead to pleitesía by a martyr and the sacrifice. The collection of images found on social networks infinite sample particularities that lead this search to deep places where Empowered circulate and disseminate products through precarious records, images unfocused with strangers frames that identify the value that is given to a context where the use of premium apparel Looney Tunes. The iconographic richness containing the context of the neighborhood as landscape, periphery, population is present in his later records show dynamic with specific social and political background in which adversity is palpable and followed by lack of opportunities it implies unionize under the guideline drawings animated Greedy demented personality and which indirectly answered human relations in this space. This call informal called subjects Island neighborhood to make part of this photo shoot, where the only requirement was pose with their clothing Looney Tunes. Why accept a call in which they would be photographed within the facilities in the house of the culture of this neighborhood? On the front of a painting space previously. There began the real call, because the question was repeated with intensity was How much? How much does, I do a portrait? The nature of this project which would be arranged as gods, saints and martyrs under the nickname empowered to be portrayed in oil, called attention appearance as something exotic, some refused, others attending the call without asking anything in return agreed to this meeting, where the challenge was to transmit through a new composition a sense of superiority in which evidence defiant, noting the relationship with religious portraits where they had different expressions, and subsequent installation at high altitudes in cathedrals.