El mito del Panza. Una narración gráfica de tierra caliente.

Abstract

This creation research work proposes three fundamental elements in the making of graphic narratives. In addition, we can understand its elaboration and the importance of different conceptual-historical components, which provide support to the graphic story while at the same time meeting the needs of the original story at the narrative level. In a second moment, the oral narration is modified in order to create a minification of reality that is based on the same experience that the territory obtained, phenomena experienced through the green wars of western Boyacá, turning the story into a hodgepodge. of reality and “timeless fiction”. because the importance of the multiplicity of interpretations is founded as an emphasis of the knowledge of the local imaginary. Finally, the graphic narration is intended from two points; one of which can be read in a general way. By way of entertainment and visual enjoyment and a secondary one as a narrative to be interpreted with its identity symbols and allegories based on the concepts mentioned above. Where, it is emphasized as a pedagogical component for understanding the world and oral tradition through myth.