Cantar la danza, vibrar la tradición “El arte de coincidir como dispositivo formativo para la configuración de ciudadanías en la infancia del barrio Santafé”

Abstract

This monograph is proposed as a sensitive research exercise carried out between 2015 and 2021, based on the life history of the researcher, his formative aspects in various disciplinary fields and his professionalization in dance arts, which as an active member of the Barrio Santafé community In the city of Bogotá, it allows him to be an agent of social transformations from the identification of the consequences of the state institutionalization of processes of disembodiment in subjectivities. Defining a conscious positioning, he formulates as a methodology from his life trajectory, factors and elements for a corporal pedagogy, aimed at providing tools that allow establishing an understanding of the body from the sound and the motor, building a new relationship model in the configuration of the citizenships beginning in childhood from the singing dances of San Martin de Loba in the Santafé neighborhood. This exercise was built from four moments through the systematization and analysis of: the vital trajectories of the researcher, the documentation of narratives of the territory and the community, the configuration of an advocacy strategy that allowed elements of community empowerment from the first childhood in the Barrio Santafé; finally the consolidation and organization of a communal social project called: Mestizo Sound.