Análisis formal del concierto para trombón de Nikolai Rimski - Korsakov para la solución de dificultades técnicas e interpretativas en el trombón

Abstract

The present degree project enrolled in the “monograph” modality, prepared during my training process as a student of the Master of Musical Arts undergraduate of the Faculty of Arts ASAB, formally analyzes the Concerto for Trombone in Si Bemol, in version of solo and piano reduction by Russian composer Nikolai Rimski - Kórsakov. This concert is taken from three points: First a historical analysis of the contextual aspects present in the life of the composer, his work circle, politics and art; Second, a musical analysis of the work in general terms, that is to say form and structure, and as a third, an interpretive technical analysis of the particular aspects in the trombone performance, from the interpretation of the work and from the interpreter's gaze. The development of this work is based on the personal knowledge that I have as a trombone student and musician, and later I find the necessary supports and justifications in the bibliographic research process, in the readings, in the practical analysis and reflection works, All this under the guidance of my tutor. This document presents important and useful information that serves as a study model for the solution of possible technical difficulties that could arise in a trombone student who intends to mount this work, it should be noted that this work also provides a study guide to other wind players.