Producción Editorial Universidad Distrital Francisco José de Caldas
URI permanente para esta comunidadhttp://hdl.handle.net/11349/8939
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Examinando Producción Editorial Universidad Distrital Francisco José de Caldas por Autor "0000-0002-0180-0945"
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Ítem Piedra, ficción, memoria: Etnografías del lugar memorativoSerna Dimas, Adrián; Gómez Moreno, Pedro Pablo; 0000-0002-0180-0945; 0000-0002-9651-7682This research is an exploratory effort to clarify the memorial place as a symbolic form aimed at processing the memory and forgetting of an event within the public world, understood as the world shared with the stranger. In other words, it is an effort to establish what allows a place to organize the memory of an event by objectifying and subjectifying it simultaneously, not based on a story or a narrative (or not fundamentally), but based on the presence same of those who occupy or use it, which involves the bodies, the corporal and spiritual dispositions, the hexeis, ultimately, the habitus. These habitus, coming from the currents of everyday life, are those that in their sympathy, in their sensitivity to contagion or imitation, can link individuals with the place and with the social practices specific to it, making it possible for the mnemonic to transcend. in anamnesis. For the contagious or imitative relationship to occur, it is required that the memorial place as a symbolic form unleash fictionality, understood not as something opposed to factuality, nor as a rhetorical resource or a solely performative effect, but as the result of the modes of communication of the material-objective, the sensory-mental and the social-metaphysical. In this sense, fiction is understood as the effect of the concurrence of what is believed with what is created and its power, which we have called fictional power, the specific symbolic power of symbolic forms, such as that which derives from the ability to fuse belief. with creation, so much so that it can derive an event, even positivize it, in the condition of a thing, icon, sign, allegory, figure or symbol, with all that this implies in terms of its preservation, its transmission and its assimilation.