Composición e interpretación de dos obras de jazz colombiano con técnicas extendidas en el saxofón, bambuco jazz y pasillo jazz

Abstract

This work is looking to establish points of convergence between two saxophone schools (classic and jazz) that have been seen strongly differentiated both in teaching and in the professional world and that usually place the saxophonist in one of the two sides. Therefore, through the extended techniques of the instrument, a journey begins to invite these two currents to the table through two compositions on genres of Colombian andean music that are pasillo and bambuco, the choice of these two corresponds to the proximity and knowledge that we have of them and the interest in making fusions with jazz and extended techniques. In this way, it is possible to bring saxophonist closer to the concert saxophone, jazz, Colombian andean music, and the extended techniques in the same place, breaking a little with that distance between classical and jazz in the saxophone.