Tango sonido inmigrante: Sensibilidades tangueras y recomposiciones bogotanas con bandoneón
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This project configures the idea of performance and sound as its own methodological route. Here the immigrant sound is a way of generating acts of feeling-thinking with tango as a performance of sonority that goes through reflection and becomes a creative act. Sonority is the medium through which the very action that organizes the production of a collective tango and tangoing moves. Immigrant Sound Tango is composed of narratives, transits, archival practices, routes, ways of feeling the migrant condition and the lived lives of people from the Las Cruces neighborhood of the city of Bogotá, to from there create conditions to resist from vulnerability, which in Together they produce ways of collective production of a tanguear based on the sound of the experiences of the bodies and their relationality. Thus, more than the imposition of ways of creating or making contributions from the expertise of the one who "directs", what is sought is to generate processes of collaboration and close listening, which guide us to know how the experience of the sound of the city of Bogotá from tango. Sensitive recompositions lead to a performative ethnographic practice from which the sound of tango takes shape and becomes an act of writing. The thesis is structured as a performance and is a form for the intense registration and extension of the performance “The Last Tango in Las Cruces” which is the heart of this work.