Las monstruosas músicas urbanas populares: el jazz, el rock, el metal y la fusión

Abstract

“Monstruosas Músicas Urbanas Populares: del rock, jazz, metal y la fusion" is a research-creation proposal arise from the artistic reflection of being a musician and its artistic, aesthetic and cultural practices mediated by diverse influences, experiences, feelings and research-creative products. It is a diversified approach to reflect upon the exercise of popular urban music that resists to the hegemony and the normative fields of creation.During the development of this document and creative intent, authors, contexts, stories, events and styles that are part of the corpus of sonorities and monstrosities that caught the attention will be stated. A proposal of theoretical discussion has been elaborated based on the concept of the monster and the monstrous, which are decanted in the creative proposal of incarnation, the final point of this research.Some of the authors reviewed are part of the fields and discussions on the cultural, the artistic, the decolonial and the monstrous, among reflections and concepts of local, global and transnational music. I highlight the contributions of expert authors of jazz such as Joachim Berend and Ted Gioia; of Colombian rock Jacobo Celnik; and the reflective and conceptual discussions of authors Cano, A., Giménez, F., Ortega, S. and Velásquez, B. whom provided discursive tools to weave the concept of the monster-monstrous in articulation with the musical styles of jazz, rock, metal and fusion.