Delirio Cimarrón, relatos danzados de una herencia afropacifica silenciada por la esclavitud

Abstract

Delirio cimarrón, danced tales of an afropacific heritage silenced by slavery is a video-dance work that reflects on the violence and cultural resistance of the Colombian Pacific area. From dance, video and collective corporality, a critical and poetic work was built, which ventured into the collective memory, resistance and cultural identity. This process had not only aesthetic results, but also sensitive, pedagogical and community, giving way to spiritual transformations in the participants. In this way, the videodanza was consolidated as a tool to denounce, repair and create from the collective, where the body is put into function as living archive and political territory. Therefore, it is concluded that art and especially videodance can act as a pedagogical means and device to resist in contexts subjected to exclusion. Therefore, the recommendation is to continue exploring the relationship between art, territory and school, implementing participatory methodologies that strengthen processes of memory, identity and citizenship.