Propuesta técnico interpretativa del concierto para trompeta en E bemol de Franz Joseph Haydn

Abstract

The following work offers interpretive technical proposals to address the Concerto for Trumpet in My flat written by the composer Franz Joseph Haydn. This interpretative proposal considers different important elements when approaching a work, from the mental disposition, through the body disposition, including the role played by phonetics and imposition without forgetting the exercises related to breathing and air directionality. It is sought with this view to create awareness of all the problems related to the body, the song and the breath, consolidating an execution of the instrument based on the positive sensations that are acquired by technically studying all the aspects mentioned above. This concert is the first one in which the keys are historically used in the trumpet because until then the horn with spare tubes was used to achieve the different shades. Haydn wrote this work for the trumpeter Antón Weidinger, who modified the instrument, adding keys, to be able to perform the technical feats and changes in tone that the composer wrote. This work is part of the universal repertoire required for any trumpeter who wants to address the classical period.