El torbansillo : vestigios danzados de la obra escénica Crizneja

Abstract

This work presents the musical and dance research conducted during the creation and premiere of the stage production Crizneja, a degree project resulting from bodily inquiries developed throughout the artistic training at the School of Artistic Formation of Tocancipá (EFAT) and the undergraduate program in Dance Art of the Faculty of Arts ASAB, Universidad Distrital Francisco José de Caldas. The central focus is the research process of bambuco, salon pasillo, and torbellino, rhythms of the metropolitan environment, as a starting point for the creation in music and dance within the same time and space. To this end, a sound and bodily study of these rhythms is proposed, establishing a simultaneous work between musical composition and the bodily work in the creative laboratory, in order to explore whether it is possible to create a choreographic piece from diverse musical metrics (bambuco, torbellino, and salon pasillo) under a single sound constant.