Análisis y adaptación para la interpretación de la obra Three Old Viennese Dances de Fritz Kreisler

Abstract

Analysis and adaptation for interpretation for piece Three Old Viennese Dances, by Fritz Kreisler, focuses its efforts on gathering the most relevant contextual and analytical elements whit in the collection of ballroom dances for violin and piano titled Three Old Viennese Dances, composed in 1905 by virtuoso Austrian violinist Fritz Kreisler. Known these elements, it is possible manipulate the content material in order to orient them to other musical expressions; in this case, directs the analytical and contextual materials to play the dances in wind instrument for wich the musical piece was not designed: the piccolo. At the same time, the analysis allows that accompaniement of the music work is not limited exclusively to piano, but allows us to adapt it to the most recurrent instrumental format in public events, competitions, squares, parks and Colombian auditoriums: the symphonic band