Corpoenergía de lo sensible.

Abstract

This research project is oriented towards innovation and construction of new knowledge within the scenic art field, which is why it is intended to place the poetic and prosaic environment as an implement in which critical and creative thinking, the high capacity to communicate and cooperate efficiently with other agents within the scenic experience are developed. This can happen through an interdisciplinary laboratory of participation aligned towards creation from people themselves and reflecting on issues that occupy and concern us as citizens of the world. It is about building new alternatives so that today's theater assumes a leading role through the exploration of the sensible, from a convergence of bodies (artists and spectators) that bring together an energy space as a collective scenic act for life and resistance.

We aim to generate new mechanisms of interactive reality and immersion on esthetic conceptions, through the configuration of encounters that go beyond space-time limits within the scenic. The conditions of this experimental process put the subjects in a state where the closeness with the other will take a substantial course for the articulation of a wide body of data of correlation and intersubjectivities. The body energy of the sensible (CES) is called to be a methodology that facilitates that thought and that creativity that new audience are looking for, even without being fully aware of it, given the evident need for other supportive social behaviors between members of the species, and between these and the planet we inhabit.