La música del desahogo, la voz crítica y marginal del punk en el grupo la Pestilencia

Abstract

This research sought to answer the question of the discursive forms through which the elements of the Colombian sociopolitical situation of the 1980s of the last century in musical production are aesthetically represented " La muerte…Un compromiso de todos " of the Punk La Pestilencia band, given that it was an event that, from the artistic suggestion, denounced and resisted a ferocious epoch of Colombia’s recent history. To achieve this, the twentieth century in Colombia was characterized by the concept of violence, and it was associated with that of the local Punk culture, where the musical proposal was developed, an object of attention. Thus, the psycho-sociological model by Patrick Charaudeau was used as a tool to manipulate the lyrics of the album in question, which appeared in 1989. After the use of the model, advanced in three levels of analysis, the main finding was the verification of a complaint about the social evil society, represented in la cultura narco, and related to the State, all this was constructed through the provocation and background of lexical-semantic work.