Blanca mujer, la melancolía en la mirada de las mujeres de mi familia

Abstract

Family narratives dance in the subject configuration of each human being. Dance to see, to clarify, to re-know what has already been laved and experienced in the body an in the soul. Understanding is not enough, it is necessary to get involved to understand, create, recreate and disbelieve. The auto ethnographic dance creation is proposed as a method of creation research, in this case in solo format, from self-reflection on the family genealogy or women through de mother and on the self as an input for artistic dance creation, based on the it asks about femininity of women, or women who lived, died and were repeated for generations in worlds historically marked by macho and patriarchal thought in Boyacá. In any case, an attempt is made from the creative act inherent in art, to reveal the paths that manage to close the feminine ancestral wound, which has caused a melancholic expression in the eyes of the women of my family and in my won, central question in my creative inquiry.