Composición de una obra de música espacializada acústica

Abstract

Spatialized music, despite not being so widely known, has existed and been explored for several centuries. This work seeks to study some of the previous references and then, through reflection and experimentation, build the necessary elements for the composition of a work whose structuring parameter is space. Difficulties related to notation, the technical execution of spatial proposals, the validity and aesthetic viability of a musical spatiality, the impossibility of documenting these musical expressions satisfactorily, among others, are addressed. From the result, more reflections emerge that reflect the experimental nature of the work, as they highlight successes and failures alike. Finally, some conclusions are reached that can be applied to a future compositional exercise with a more effective execution and use of space as a musical parameter.