Las narrativas de la danza folclórica colombiana y los imaginarios del cuerpo femenino. Un viaje imprevisto de la escena a mi cotidianidad, en relación a mi experiencia como mujer e intérprete

Abstract

This final paper analyzes the bambuco created by master Jacinto Jaramillo and the choreography of Las Cigarreras to answer some questions that arose when regarding the narratives of Colombian folk dance and the imaginaries of the female body. I used the autoethnography as a method to do this research, so my experience as a woman and performer became a relevant knowledge to talk about categories such as territory, politics, climate, my family environment, my training, the stages and their coercive function in relation to the construction of my femininity and my artistic practice