Reflexiones sobre el uso del objeto en la interpretación-creación en danza contemporánea

Abstract

The complexity of the object use in the creation of contemporary dance pieces derives from the dancer's qualities and corporal skills; who, through the exploration of the object in favor of creation, transits paths of perception and objectual uses different from daily ones; becoming a constant agent of resignification by intervening space and objects through movement. The previous appears from the reflection and analysis of creative experiences with the use of the object - paperboard boxes - in a contemporary dance piece - Transito 3-50 - whose purpose was not directed to the resignification of the object for the spectator.