Confluencias : tradiciones, músicas y contextos

Abstract

Artistic practices in our country and the movements and cycles of the transnational market have determined some ways and means of exercising the trade of music, be it from individual or group proposals as well as from how particular and global they may be. The recidivism and transformation engines of this musical praxis has been exercised as a mixture between the interpretive and compositional processes that integrate the way in which regional popular music, known as "oral tradition", is made in its daily life and the languages urban that reveal multiple ways of structuring sound proposals where the written, the heard and the interpretative are conjugated in the manner of a performative syncretism.