Aporte interpretativo del bajista Luis Ángel Pastor en el vallenato, agrupación La Provincia

Abstract

This work analyzes the bass lines transcribed by the author of the songs Pa Mayte and La Cañaguatera, which are found on the records La Tierra del Forgotten and Clásicos de la Provincia de Carlos Vives, performed live by the group already mentioned in the concert of the city of Santa Marta in 2015, for its subsequent interpretation, approaching the style and technical resources of the bassist Luis Ángel “Papa” Pastor, also making known the different factors that have marked the evolution of the vallenato genre in this grouping, contextualizing vallenato, its possible origin and evolution; At the same time, he talks about the musical life of the bass player, the music of Carlos Vives and the province, taking into account elements such as creation, recording and musical aspects that different relevant musicians contributed to the group, such as Teto Ocampo. The document also gives an ethnographic look when talking about how coastal society and its culture impregnate in some way the cultural thought of the entire country thanks to vallenato, making a comparative analysis between the different genres within vallenato and a complete musical analysis of the works for a later interpretation.