Híbrido cultural de resistencia. potencias afirmativas de la vida, la estética y la cultura en los violines caucanos.

Abstract

This research elaborates and proposes the category of "cultural hybrid of resistance", as a theoretical-methodological category useful for addressing the study of individuals and social groups with capacities to establish creative-non-violent resistances; thus, as a direct contribution to the basis of Cultural Studies and Social Studies. The theoretical-methodological proposal of this category, is tested with some Afro communities of the north of the department of Cauca that have within their cultural values characteristic to the music of the "Caucan violins", finding and describing a whole universe of traditional cultural knowledge and practices around which, and for centuries, particular worldly gazes have been woven, and practices of creative-non-violent resistances in scenarios overrun by cultural neoliberalism, or in territories where through aesthetic practices, it has been possible to resist the incursion of illegal armed groups.