Pensar en movimiento: Una capacidad de todos los cuerpos. Aproximaciones a la práctica creativa de la danza inclusiva y sus aportes a la perspectiva de Desarrollo Humano

Abstract

This final report on formative research gives an account of the research-creation process in the artistic field, the result of which was the contemporary dance work Ira tríptico first part "breaking the words also" , which addressed the importance of subjectivity and the recognition of basic capacities of each body in the technical and aesthetic development of the scenic piece, from the practice of inclusive dance, specifically improvisation and contact dance, from a reflection on anger and took as a starting point the question ¿Where does anger live in your body? This work is based on the concept of universal accessibility, and aims for the accessibility of people with visual and hearing disabilities, this being a political and social commitment whose amalgam of capacities generates an offer for the enjoyment of people in a situation of physical and sensory disability. This bet contributes significantly to the perspectives of human development in the field of the arts, since it not only evidences and materializes a practice that fully complies with the inclusion of diverse corporalities, but also opens the question about the generation of accessible artistic content.