Cuatro versiones de la obra "Muchacha de ojazos negros" basadas en los estilos interpretativos del arpa llanera colombo-venezolana

Abstract

This paper deals with four interpretive styles of Colombo-Venezuelan llanera music (criollo, torrealbero, estilizado, comercial), which after being exposed to a series of musical, morphological and contextual analyzes, give us some general characteristics, specific, group and individual, directed directly to the behavior of the llanera harp, which serve as a discriminatory and selective base to differentiate between each of them. Parallel to these analyzes, reference texts about the culture and the llanero context and audios of the popular folkloric repertoire meticulously chosen to approach the characteristic root of each style will be considered. All this to denote the great interpretative difference in the harp Llanera on the styles chosen for the analysis, of course, without ignoring the important and fundamental role played by the rest of the accompanying instruments within the llanera music. To do this, all these features taken from the analyzes will be taken and a theme will be assembled in four versions that characterize and represent each of the styles worked and that accounts for the differentiation that is to be achieved with the completion of this project.