De barro y palabra, mujer tierra y voz. Aportes pedagógicos de la alfarería en la resignificación a definiciones e imaginarios alrededor de Mujer

Abstract

This research-creation takes as support individual memories of women inhabitants of Ráquira (Boyacá), and San Cristóbal Sur, Bogotá, put in dialogue with research on gender roles present in part of the Cundinamarca-Boyacá territory from the author José Rozo Gauta and the Muisca creation myth of Mother Grandma Bague, mainly, regarding pottery; In addition to the experiences of Raquira's potters, the author Daniel de Montmollin provides a vision of clay and pottery as an enabling material in a process of self-reflection on our being from memory, through different authors such as Gaston Bachelard and David Cooper that allow us to approach the trade from a poetic way in which memory becomes vital; On the other hand, studies of the author Néstor García Canclíni allow to locate these handmade practices in specific social and cultural contexts promoting the creation of spaces of dialogue where there are approaches to the pottery as a cultural fact that denotes concrete situations in the ways of relationship. For the creation of the dramaturgy text, the book El dramaturgista y la deconstrucción en la danza (The Dramaturgist and the Deconstruction in Dance), by the master Álvaro Fuentes Medrano, is taken as the main reference, in dialogue with authors such as Le Breton, mainly as a connector between the memories of the participating women and the body that gives account of these, and with visions in front of the dance in the framework of the first congress Pensar con la Danza (Thinking with Dance) of the Universidad Jorge Tadeo Lozano, taking as a basis some of the essays exposed here