La Tradición Oral y el Lenguaje Escénico del Teatro Taller Almas Libres de la Mesa

Abstract

In recent years in the municipality of La Cundinamarca Mesa it has gestated a cultural movement focused on the performing arts from the experiences of the communities they represent, exposing one of its greatest representatives Theatre Workshop Almas Libre (Teatro AS ). This paper seeks to explain the process of systematization of two of the works of the repertoire of the group, "to the last drop" and "gave birth Moon" .Encontraremos in systematizing it allows us to contextualize the path chosen by the group seeking to integrate tradition and folklore creation process through the experience. Thanks to the empirical formation theater group and its leadership in cultural processes, the group has influenced the cultural development of the region and the formation of artists in nearby municipalities, as well as training public for theater and cultural educational work of the región.En the first chapter is a conceptualization between street theater and oral tradition ago, linking the end these two fields and responding to how the dialogue between the oral tradition and the theater is possible to focus on systematization of the two works listed in this document. On the other hand we have the review of Teatro TAL telling the story of this group since its inception in 2002, the antecedents that presided over the creation of the group and the influences that guided his theatrical search. In the first chapter a conceptualization between street theater and oral tradition, linking the end these two fields and responding to how the dialogue between the oral tradition and the theater is possible to focus on the systematization of the two works related to done this document. On the other hand we have the review of Teatro TAL telling the story of this group since its inception in 2002, the antecedents that presided over the creation of the group and the influences that guided his theatrical search.