Metal en Colombia: memorias de violencia y resistencia para la no repetición

Abstract

The project that is presented under a detailing method, it arises within the framework of the Master in Communication and Education of the Francisco José de Caldas District University and it has been named Metal in Colombia: Memories of Violence and Resistance for Non-Repetition. Within the following document, the formulation, approach and background that account for the various impacts of violence and the armed conflict suffered by members of the scenes and groups that adhere to the conformation of Metal as a musical genre are found first in the country, as well as the tools to condemn and build peace in the midst of the events that occurred. after this approach, the document focuses on the study of the aesthetic elements of the metal scenes of Cúcuta, Medellín and Santa Marta to identify different patterns of impacts and resistance to the events in order to make a theoretical approach to memory of these events from the knowledge of the individuals and their territories, with this, integrating the concept of “Moral Imagination” (Lederach, 2008), to later talk about the distinctions in front of these memories as “Reserved, Agonists or Sub/Alternatives” (Acevedo, 2011 ), or silenced memories. By the end of this document, we will present the product design, where the postulates and theoretical concepts are integrated into the Communication - Education field approach, based on the concept of “Mediation” (Huergo, 2011), whose contributions on the construction of a hypermedia web portal, contributes as a pedagogical tool to show the impacts of violence, based on the concept of “Mediation” (Huergo, 2011), whose contributions are fundamental on the construction of a hypermedia web portal, that becomes a pedagogical tool to show the impacts of violence, to their recognition and to highlight the Peacebuilding actions that, from the audiovisual, infographic and sound language, become alternatives to propose the search for the Non-repetition of violent acts in the Metalheads Collectives and in other communities with distinguishing approaches that have been affected by the armed conflict and violence in the country. In this final section you will find the communication strategies for the elaboration of the product, the illustrative elements and the strategies for the compilation of information in the field work carried out in the aforementioned cities for the elaboration of the axis called Canal Metal Colombia, Podcast Metal and Infografía Metal that integrate the web portal called: https://www.metalmemoriacol.com/. Finally the document concludes with the projection of this work for the coming years.