Homenaje Latinoamericano: El pasillo Colombiano, El Chamame Argentino y la Bossa Nova Brasileña
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This degree work has been based on three representative genres of Latin American music (Colombian pasillo, Argentine chamame and Brazilian bossa nova); these genres have been widely studied and analyzed, since the aim of this study was to compose a representative piece of each gender addressed taking into account their main musical characteristics most representative and adding to them, musical and technical resources of some forms Composition of Western music from different historical periods and are part of the curriculum of the program of Musical Arts Faculty of Fine Arts of University Francisco José de Caldas as polyrhythms, poly tonality and / or modulation, the counterpoint of first and second kind, atonality, chromaticism and dodecaphonism, which chromatic melodic suggestions, chromatic treatments and some accompaniments suggesting dodecaphonism though not formally, especially in bossa nova are made. This paper has been adapted to a format unconventional instrumental chamber including the use of flute and kena; also the tiple, guitar and charango, plus cello.