Conceptos de pianistas respecto a lo Técnico-Interpretativo del Vals Mephisto No 1 de Franz Liszt con énfasis en los elementos rítmicos

Abstract

In principle, I start from learning and studying the piano since the age of 8 in different instrumental techniques with various piano teachers; whether they are called jazz, classical music, Colombian music, urban music, various types and genres of music (Rock, Pop, Funk, Merengue, Salsa...) and some universities such as the conservatory of the National University, the Pedagogical University , the Central University... added to countless precedents in circumstances and/or moments that contribute significantly to the instrumentalist; that directly addresses the piano in the active field of music of different kinds, whether recitals, non-formal music, of great variety, churches (gospel music and diversity of rhythms) and an abundant number of musical projects. It is from the knowledge acquired and developments made in the study of the piano, during the professional career that I intend to show explicitly, those technical aspects achieved in piano performance, I also try to enable knowledge of them in a written document, which It is based on a sample to the public in a final recital, where different aspects will be seen clearly and simply when approaching a work for piano by recognizing the technical difficulties of the work and the easiest way to clarify these from a point of view. technical-interpretive view emphasizing the rhythmic aspects, with its scope in the pianist's musical interpretation and exposing a written document and a sample of real life, on a piano.