Memorias para no olvidar. Composición poética hecha por El MOVICE en torno a la desaparición forzada en Colombia, in Memoriam a Carolina Garzón
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Memories to don't forget presents diverse postulates in front of the forced disappearance. This work is a journey enthroned on four central axes. In principle, it makes a tour through the forced disappearance as a historical phenomenon in Nazi Germany with the decree of "night and fog" established as a form of repression. It’ll deepen this look from the processes that occurred in the dictatorships of Latin America to focus on Colombia. It’ll address the policies of "democratic security", the trigger factor for forced disappearance. The statistical data are derisory. The second chapter deals with language as a form of representation and testimony. It splice poetry as an act of memory, presenting testimonies from the victims in the style of the sociologist Gabriel Gatti, who deals with the framework of disappeared identities, taking as reference Boaventura de Sousa. In a third moment, memory is tackled as a cultural phenomenon, based on the ideas of Elizabeth Jelin and Halbwach. Is raised Memory as an individual phenomenon, also as a collective act. It adduces to Paul Ricoeur's postulates about time and story. In the fourth section, it makes a splice with music and poetry, these being two symbiotic elements within the testimony. Finally, it makes a tour through the history of Carolina Garzón as narrated by Alix Mery; who gives the unofficial story of his daughter's case. Memories to don't forget culminates in a series of poems constructed in workshops with families of detainees, disappeared persons from the National Movement of Victims of State Crimes (MOVICE).