Propuesta metodológica para la apropiación técnico - interpretativa del bambuco fiestero y el pasillo canción en la idiomática del fagot

Abstract

The objective of the present work consists in the appropriation of “bambuco fiestero” and “pasillo canción” in the idiom of the bassoon. For this, a process of formal analysis, melodic analysis or melotipos and analysis of articulations and recurrent phrases are performed, taking as reference representative works of the two genres. From these parameters it is sought to identify a particular musical language, applying it to the idiom of the bassoon, broadening the vision of the same, still understanding his symphonic tradition European center. The work has a study on the bassoon and tolimenses musics, which show historical, social and economic factors that determine the current outcome of both worlds. In addition, it is explained where the two genres that are thought to appropriate to the language of the instrument come from and that important factors have had in Colombian culture and music. As a result of this process, it is possible to identify specific descriptive aspects of the two genres, in terms of form, articulations and phrases, and generate a repertoire that exemplifies these aspects and involves the bassoon as a participatory element of these musics.