Práctica interpretativa como tiplista en la orquesta de cuerdas pulsadas, Filarmónica de Música Colombiana “FMC” de la Filarmónica de Bogotá

Abstract

This field diary describes the activities that surround a tiple player member of the Orquesta Filarmónica de Música Colombiana "FMC", giving an account of the processes of rehearsals, concerts and recordings within this group. This document aims to describe technical and interpretative resources of the instrument that have been present in the repertoire of the estudiantinas of the Andean region throughout the twentieth and twenty-first centuries. The tiple is an instrument of popular heritage that is strongly linked to the regions where particular styles and forms of interpretation have developed, which have accompanied the development of the instrument. This document seeks to describe the process of appropriation of technical resources through the recognition of different rhythmic cells, present in the repertoire performed by the "FMC". With this, it is intended to provide the instrument with tools to acquire these particular forms of strumming and technical resources linked to the instrument's literature, through the description of directionalities, timbre and accentual resources, where they are exposed for the consultation of the interpreters who not only want to be part of groups like this one, but who are interested in including in their interpretation a wider spectrum of accompaniments and technical resources present in the repertoire of the Colombian highlands