Kynodontas: un acercamiento al estudio del poder, el cuerpo y la intersubjetividad

Abstract

This paper addresses the categories of power, sexuality and intersubjectivity, first in a theoretical way, and then analyzes the film Kynodontas around these ten categories, without forgetting the cinematographic component, of which a transversal review is made. In social relations in different areas of society, such as the family, it is important to see how power influences the behavior of individuals and how this is disputed depending on the hegemony and counter-hegemony that is present in that society, being sexuality one of the micro powers that influence the way in which societies are built, being visible the repression, silence and/or abuse that has existed around it, leaving language and discourses as elements used for purposes of information, disinformation and/or absence of it, leaving us to intersubjectivity as an element of connection between social, cultural, hegemonic and existing power relations, where filmic productions are conceived as cultural products in which power relations are subjectivized and objectified.