Las Estaciones porteñas fundamentos técnicos para su ejecución: propuesta para una nueva Interpretación

Abstract

This work makes a creative proposal to achieve an adequate and correct interpretation regarding the technical resources needed to play Astor Piazzolla's Las estaciones porteñas on the violin, since this work is significant in the tango repertoire, due to its style and form. To mix the elements of classical music with those of tango. A contextual framework of the works was carried out, which showed important historical factors that were relevant in the development of a style for its interpretation. As well as a formal analysis of the work in which the compositional and stylistic characteristics of Astor Piazzolla can be observed, whose systematization produced 12 exercises of technical foundation to execute these works. We work from a trio reduction consisting of an instrumental violin, cello and piano format in which it can be seen that a quintet format is not required for its interpretation.