Una aproximación analítica a la obra de Marcelo Woloski desde el concepto de intertextualidad

Abstract

This paper focuses on the exploration of the work of percussionist Marcelo Woloski from an analytical perspective. The objective is to broaden the understanding of the work through an interdisciplinary approach that integrates intertextuality in the analysis. To achieve this purpose, specific objectives are established that include contextualizing the percussionist's work and exploring the concept of intertextuality, as well as its various currents and applications in the musicological field. The analysis is based on a detailed description of Woloski's participation in seven selected pieces. These descriptions serve as a basis for examining the work from an intertextual perspective, highlighting relevant features and formulating a set of questions from such an approach. Finally, it reflects on issues related to processes of recontextualization, modes of resignification, paradigms in percussion performance and other related topics.