Composición para formato de percusión y electrónico, basada en la proporción aúrea, la serie de fibonacci y la música de las esferas.

Abstract

This document initially seeks to provide a brief overview of the topics to be addressed in the creative process, such as the golden ratio, the Fibonacci sequence, and the music of the spheres, and to familiarize the reader with the concepts. At the same time, it aims to clearly illustrate the process of applying these mathematical theories to musical composition and to show the result obtained and the methods used. The document consists of a first part that cites the background that had an impact on the choice of the topic, the entire process of collecting information in search of a broader and more detailed idea of the selected topics, the purposes and scope of the work, and the general and specific objectives of the same. A second part corresponds to the referential framework, which will address and detail the topics to be discussed, such as the golden ratio, the Fibonacci sequence, and the music of the spheres, and will trace the history, from the emergence and development of these principles to their application in art and music. Examples of musicians and artists who have applied these principles in their works from antiquity to our modern era will be cited, and reference will be made to composers who, consciously or unconsciously, have incorporated these philosophies into their creative process. And a third part, which corresponds to the methodology used for the realization of the composition and to the presentation of the results obtained after the completion of the research process.