Afroteatral huella invisible

Abstract

The objective of this monographic work is to recognize the artistic representations in the theatrical creations carried out in the city of Bogotá in the AfroTeatral; For this, our methodology is based on a reflective exercise, to the extent that we approach the theatrical field as actors and spectators, where we collect the voices of Afro or white mestizo people, who have contributed to this work from their position as actors. , directors or producers; These contributions are narrated from first-person experiences based on interviews and descriptive stories. The monographic work is divided into articles, in the introduction our stories as Alexis and Mauricio are shown as a voice that accompanies the effort to highlight the way in which the AfroTheatrical has transformed us and, in turn, we have transformed; in the first article we present the objectives and the theoretical construction that serves as support for our arguments; Subsequently, article 2 shows the background of the AfroTheatrical; Immediately afterwards, in articles 3 and 4, the theatrical work of Catalina Mosques and Ramsés Ramos is highlighted, as participants in the collective Diookaju Generación Arte Afro; then, the results are found, with the presentation and discussion of the final proposal, in which we show how AfroTheatrical is a stage tool for actors, which allows us to approach training, staging, dramaturgy and interpretation from a perspective Afro- descendant. Finally, the conclusions, where we emphasize that this monograph joins the other resistances of the Afro people and that our work is an unfinished contribution to artistic creation from a collective in diversity. It should be noted that this document accompanies the reader with the faces of the people involved in this work, that is why there are portraits of each of them to make them even more present.