La Improvisación: reflexiones y prácticas en torno a un proceso de creación

Abstract

This undergraduate monograph is register into the modality creation and interpretation mode. This document includes reflections about improvisation from philosophy, poetry’s view. Likewise, it takes a look about processes of improvisation focused on Colombian coast music from clarinet performer point of view. Based on the reading of several texts, it is articulated a reflection process around the notion of improvisation to feed this concept to favor a space for creation. In that sense, it is designed some pieces to play in clarinet in which are highlights interpretive resources and improvisation. In the musical coast tools such as adaptation and transcription are also taken to build points of perspective that allow dealing with improvisation, taking resources from interpretation and improvisation on instruments like the accordion, millo shank, Euphonium, clarinet. The sheet music presented in this document was written in Bb. Moreover is investigated this process of creation and improvisation taking as a tool the interview to two interpreters one them from municipality of Guapi, the other from the municipality of San Pelayo to define points of contrast in the process of learning and transmission of improvisation in these musics. The development and elaboration of this document proposes an approach to the poetry of improvisation as a complement to the work intends to carry out a concert format of clarinet, tenor saxophone, guitar, bass, drums, joyous drum, drum caller, drums and maracas.