Amorocha'o la guitarra llanera: diseño de dos arreglos compositivos basados en golpes de la música llanera utilizando diversas técnicas de la guitarra acústica

Abstract

The objective of this work consists in the development of techniques for the acoustic guitar, whose purpose is based on implementing and appropriating different characteristic languages of traditional instruments of the llanera music to the strong touch of the guitar, for this I made an analysis of forms of execution and technical and timbre aspects of the bandola llanera, cuatro, bass and llanera harp, reviewing the structures called hits or matrices such as chipola, carnival, palmarito and pajarillo, taking various forms of these to make compositional arrangements and adaptations. The name of Amorocha'o is based on highlighting the union of two sister musics: The successors of Arab music, mainly flamenco, and the traditional music of the Colombian-Venezuelan plains region, El joropo. The work is immersed in the sonorities of the joropo based on my own experience that allowed me to approach and appropriate structures that I later technically defined on the acoustic guitar; This work is also carried out in order to give the acoustic guitar the relevance, inclusion and recognition that it had in the Colombian plains in the past.