Contextualización, descripción, análisis de las principales características musicales y adaptación para el piano, de dos “Diferencias sobre guárdame las vacas”, un Polo margariteño tradicional y dos variaciones, para ilustrar el desarrollo del género, desde sus orígenes hasta nuestros días

Abstract

The main purpose of this work is to develop an adaptation for the piano, of the margarita’s pole (musical genre from the Venezuelan east), in such a way that the development of this genre is evident, from the "Diferencias sobre Guárdame la vacas" ( musical variations for the vihuela, written by Luis de Narváez - Spanish Renaissance, XV and XVI centuries -, to a popular song of the time called "Guárdame la vacas"), until now, synthesizing different versions, ordered chronologically from the oldest even the most modern, without cuts, to illustrate its formal, instrumental, rhythmic, melodic and harmonic development, over the last five centuries. It is proposed to reflect changes in style and interpretation in this adaptation.