Diseño de la iluminación como elemento de la dramaturgia escénica del movimiento danzado

Abstract

This research process seeks to reflect on the scenic and dramaturgical dialogues of dance and lighting. It addresses my artistic concerns and my experience on stage, as a dancer, choreographic director and lighting designer, bringing together the first stage of my interdisciplinary artistic exploration between dance and the plastic arts from the specific needs of the dramaturgy of light for movement. danced. It seeks to look at the importance of these questions in the dialogues of the agents of the dance scene, the importance of interdisciplinary dialogues that enrich scenic reflection and the technical and conceptual qualification needs necessary in the local environment. It starts from building a “scenario” that introduces us to the research topic, and then poses a “problem” or motivation that is named in the question: How is the lighting design related to the dramaturgical creation processes of the dance director in the local context? Both participant observation and interview are the tools used to shape this analysis of the uses of lighting in dramaturgy and stage design of dance. It is concluded around its formative importance and the compositional relevance that it could generate for the qualification of the generation of dance works.