Creación dramatúrgica a partir de la poesía colombiana en el contexto de las masacres.

Abstract

This research presents the creation of the dramaturgy "Mapiripán y Miraflores'' considering the poetic work of María Mercedes Carranza and especially "El canto de las moscas", a work that has documented some massacres around the country in the 90’. The dramaturgy arises from a link between our birth dates and the moment when the violent events occurred. The the project aims to recognize the work of other Colombian authors who involve violent issues either from the musical, literary or theatrical fields; This is a project that makes an exercise of memory through history seen from different perspectives but taken as a privileged source view from the victims; in addition to the historical review of the facts, philosophical theories about otherness, Bertolt Brecht's theories on estrangement effect that together will move the viewer to become aware of the need to create a new identity as a collective.